A fun, fast-paced tale that will bring a past era to life for young readers.
A group of children travel back to the time of the Revolutionary War on a quest to preserve history in Rothman-Hicks and Hicks’ middle-grade sequel.
In 2016 New York City, 12-year-old Jennifer Tindal awakens from a bizarre dream. She remembers little about it, other than that her friend Kaytlyn wore a wedding dress from the late 1700s. Jennifer has little time to puzzle over this, however, because she’s late for school where she and Kaytlyn must deliver a history presentation. For luck, her mother gives her a blue cameo on a gold chain to wear. In school, Kaytlyn is surprisingly wearing the very dress from Jennifer’s dream. Even stranger, Jennifer again encounters Semprus, a powerful Elder who aided the girl’s previous adventure. He informs her that their friend, Arthur Whitehair, who dabbles in time travel but is trapped in a pigeon’s body, is once more causing trouble. Arthur has unwittingly allowed their nemesis, Malman, to gain strength in spirit form. When Jennifer learns that Kaytlyn is missing from class, she and James, her 11-year-old brother, go on a search through the city. Help from their friend Seth (nicknamed “Sleepy”), leads to a chase into St. Vartan Park in Murray Hill, where a shimmering portal drops Kaytlyn, James, Seth, and Jennifer into the year 1776, near Kips Bay. Can Jennifer and James save Kaytlyn and stop Malman’s manipulations, which could alter the American Revolution? Married authors Rothman-Hicks and Hicks offer beginning history buffs a treat in this high-energy sequel. Readers learn about such figures as Col. Thomas Knowlton, who died a hero during the Battle of Harlem Heights, as well the military exploits of Aaron Burr, who was later infamous for killing Alexander Hamilton in a duel. Humor and intrigue flow from the main characters’ modernity, as when Jennifer scandalizes a soldier by wearing pants; later, after a maid dangerously calls Jennifer a witch, she resorts to technology to find a way out of the problem; the ending, however, hinges on the power of love.
A fun, fast-paced tale that will bring a past era to life for young readers.Pub Date: March 2, 2018
ISBN: 978-0-9838279-5-5
Page Count: 250
Publisher: R AND H 71 PRODUCTIONS
Review Posted Online: Feb. 16, 2022
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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