An original, suspenseful though mildly flawed drama.
A good man redresses a vicious murder in Kirkeby’s (The Tournament, 2013) rousing sophomore novel.
After a few somewhat disjointed opening chapters (one set during the Vietnam War, another at a murder scene four years later), Kirkeby’s sweeping novel finds its footing and follows the life of Virgil Cleary, a biracial man who never knew his white mother and Native American father, who was from the Creek tribe in Florida. Though steeped in strife and violence, the novel’s heart is found in the good-natured, compassionate presence of its protagonist, Virgil. Kirkeby splits the story into three parts that trace Virgil’s youth in the early 1960s, his time in combat during Vietnam and in the present day as an adult. The story’s first depiction of Virgil, 1974, isduring his vicious interrogation of the aging uncle of Johnny Lutin, a notorious criminal responsible for the murder of Tom Jay Harding, Virgil’s childhood mentor and a local wildlife warden. As Virgil embarks on a vigilante mission to avenge Harding’s death, the novel suddenly veers off in flashback chapters delineating his personal history. Decades earlier, an 11-year-old Virgil was found wandering alone and exploring the forest by Harding, who returned him to the care of his grandmother but befriended him in the process and touchingly became the boy’s mentor and unofficial guardian, teaching him American history, the art of deer hunting, and even the nuances of his search and rescue missions.During his determined search for Lutin, Virgil temporarily takes on farm work for a lonely, widowed rancher with whom he shares intimate companionship. Eventually, through the generosity of traveling strangers who help him get closer to his target, he comes face to face with the villainous fugitive in a rousing denouement doused in Southern vernacular and menace. While the story is durable and entertaining, it suffers from creaky construction and a plethora of jolting timeline shifts. The numerous flashbacks have a tendency to hamper the narrative tension Kirkeby has developed so thoroughly in the present-day sections. Still, it’s a fun ride with a hopeful conclusion.
An original, suspenseful though mildly flawed drama.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: March 12, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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