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WAKE UP THE NIGHT

Subdued, insightful tales of characters at dark points in their lives.

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Silver’s debut collection of quiet stories explores grim themes, including humankind’s propensity for violence and the inevitability of death.

Like many of the tales here, the opening story, “Outside Influence,” begins modestly and gradually turns somber. In it, an American photographer tries capturing the serenity of grazing deer before the animals shockingly turn on him. As the story progresses, more animals, and even beloved pets, become increasingly aggressive toward humans. In the more humorous title story, Ben Burton is born to parents who live in an age-restricted community. Unsurprisingly, some elderly residents object to the boy’s presence; one woman insists, “anyone who thinks I don’t like kids is dead wrong—just not in my backyard.” Perhaps the collection’s most uplifting tale is the novella Leak in the Roof, which offers selections from a celebrated fashion designer’s autobiographical manuscript. Kenny Silverman, before becoming fashion’s “enfant terrible” in the 1970s, expressed himself through poetry. The story recounts the long and difficult road he took to commercial success and how he fought for a healthier Earth along the way. Silver aptly couples sharp prose (“I was finally seeing life with a ‘what have you done for me lately?’ attitude, and not through a mind riddled with flashbacks”) with playful narrative formats throughout this collection; a few stories comprise scriptlike dialogue exchanges, and the book ends with scenes from the author’s Canada-set, Vietnam-era screenplay. There are intriguing thematic links among the tales, including examinations of American racism and environmentalism; certain character names, such as Ian, Bess, and Jonah, also recur, as do bits of Silver’s intermittent poetry (“The years whisper loneliness / Muffled by the day’s ordeals”), creating new connections.

Subdued, insightful tales of characters at dark points in their lives.

Pub Date: Aug. 16, 2021

ISBN: 978-1-73258-928-5

Page Count: 343

Publisher: Four Seasons Press

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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