by Kenneth Turan ‧ RELEASE DATE: June 3, 2014
Like most other “my-favorites” projects, this one will surely ignite debate, disdain and delight.
A veteran critic offers a decade-by-decade list of the films that have been like “friends who’ve enriched my life.”
Los Angeles Times and NPR’s Morning Edition film critic Turan (Now in Theaters Everywhere: A Celebration of a Certain Kind of Blockbuster, 2006, etc.) confesses his discomfort with his own project: so many films. He was so uncomfortable, in fact, that at the end, he suggests two others for slot 55, then appends yet another list of 54 that he’s loved. Film lovers will eagerly swoop in to see if their favorites are present, and there are certainly some surprises. Turan does not mention either Charlie Chaplin or Harold Lloyd. Citizen Kane does not make the first cut—though it does appear as a recommendation at the end of his discussion of Sweet Smell of Success; it also appears in the appended list (as do two other Welles films). Turan’s tastes are eclectic: documentaries (Stranded), Westerns (The Unforgiven), an animated feature (Spirited Away), crime films (Kiss Me Deadly), musicals (Singin’ in the Rain), films based on classic novels (Great Expectations), films everyone’s heard of (Casablanca) and films that few beside the cognoscenti know (The Best of Youth). In each case, the author introduces each decade and discusses the directors and performers; in many instances, he summarizes the plots and/or gives some back story about the making of the films. Principally, however, he explores how each film affected him and how the filmmaker managed to do what he did (male filmmakers dominate here). Among the principal factors are cinematography, music, individual performances, the power of the plot, the settings, the ambiance, the effect of surprise and the styles of the directors. Although Turan discusses many Hollywood studio films, he also includes films from Japan, Italy, Denmark, Israel and elsewhere.
Like most other “my-favorites” projects, this one will surely ignite debate, disdain and delight.Pub Date: June 3, 2014
ISBN: 978-1-58648-396-8
Page Count: 352
Publisher: PublicAffairs
Review Posted Online: March 10, 2014
Kirkus Reviews Issue: April 1, 2014
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by Kenneth Turan and Joseph Papp
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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