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FOOTLOOSE

“Slip on your dancin’ shoes,” indeed.

Two children who hide in the zoo after closing witness zookeeper Jack getting down with all the animals in this re-envisioning of the iconic movie song.

Inspired by new grandparenthood (as he reveals in a performer’s note), Loggins has rewritten the lyrics to one of the 1980s’ biggest earworms to recount a dance party at the zoo. “All the animals are watchin’ / to see if everyone’s gone. / Gettin’ ready to party, / they’re gonna be dancin’ till the dawn.” The white zookeeper boogies with chimps, wolves, lions, and more, while the surreptitious visitors (both light-skinned; one with a black pageboy and the other with close-cropped brown hair) look on with excitement before joining in. Bowers’ textured, full-bleed double-page spreads are appropriately kinetic and playful, depicting a quartet of tutu-clad llamas in midjeté, a hip DJ elephant spinning LPs with forelegs and trunk, and a hippo dressed for a hoedown in white cowboy boots. The range of dance styles indicated by costume spans ballroom dancing to hip-hop. The new variations on the familiar refrain will probably be easy enough for adult readers to manage in a read-aloud, but the new verses’ scansion may be difficult to parse. A CD embedded in the back cover, performed by Loggins, is immeasurably helpful in establishing the rhythms.

“Slip on your dancin’ shoes,” indeed. (Picture book. 3-7)

Pub Date: Oct. 13, 2016

ISBN: 978-1-63322-118-5

Page Count: 28

Publisher: Moondance/Quarto

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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