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ACROSS THE RIVER

LIFE, DEATH, AND FOOTBALL IN AN AMERICAN CITY

A penetrating, wide-screen story of what it means to mentor under the toughest of circumstances.

A sociologically oriented look at a high school football season in a poor section of New Orleans.

Washington Post reporter Babb isn’t interested in delivering a play-by-play analysis of Edna Karr High School’s 2019 season. More significantly, he offers well-rounded portraits of the personalities involved with the team: the coaches, players, fans, and the city as a whole. The primary character is head coach Brice Brown, who displays a sharp football mind and exudes grace and generosity, creatively treating his players as distinct individuals who respond to varying treatment. If needed, he will provide for his players: clothes, shelter, food, transportation, life advice, etc. He also conducts uncomfortable discussions, creating “challenging, often uncomfortable, social scenarios that fluster kids by design. These are meant as psychological stress tests.” Most players live in poverty-riddled, dangerous neighborhoods, so Brown is constantly looking out for their well-being. Babb explains the psychogeography of New Orleans and especially how Hurricane Katerina impacted the students’ sense of place and their insecurities. He also investigates the burgeoning gentrification of the city, an ongoing process with dire consequences. “Displaced residents aren’t just physically uprooted from their homes, neighborhood, and comfort zones,” writes the author. “They often carry harsh emotional burdens that, in particular for children, can lead to higher risk of anxiety and depression.” At the same time, Babb wrestles with an existential element that attends the sport of football in most marginalized communities: the physical dangers of the game versus the opportunity to rise out of poverty—not just via college scholarships or (rarely) being drafted in the NFL, but by providing a transformative atmosphere that fosters independence, self-worth, and discipline. The author also probes the New Orleans police department through the lens of investigations into the shootings of players and the impact that violence has on all members of the community.

A penetrating, wide-screen story of what it means to mentor under the toughest of circumstances.

Pub Date: Aug. 10, 2021

ISBN: 978-0-06-295059-8

Page Count: 304

Publisher: HarperOne

Review Posted Online: June 18, 2021

Kirkus Reviews Issue: July 15, 2021

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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