More discipline and fewer pyrotechnics would have served this story well. For the moment, in the Rhett Butler–ish words of...
Edgar Allan Poe meets Bruce Catton: a mishmash of historical novel, thriller, and psychological study set in Civil War–era Louisiana.
It stands to reason that if someone were to have bitten a person's ear off in the days before Mike Tyson, he or she might have earned a fitting sobriquet of savagery. So it is with Elise Durel, in New Orleans for her first dance and the victim of unwanted attentions, who now, 18 years later, is known as “Mademoiselle le Cannibale” or—shades of Anne Rice—“ ’Ti Vampire.” High-strung only begins to describe her, and things go from bad to worse when her 12-year-old son, his father Angel Woolsack of Wascom’s debut, The Blood of Heaven (2013), goes missing. It being New Orleans, anything can happen, especially in a dislocated time when the Confederate regulars have just fled in droves, “overtaken by the Federal blue,” and an occupying Union force led by a memorably corrupt, porcine general racked by “burning diarrheal evacuations” is now in charge. But is it really? Not in a city in which the stamp of the devil is common currency and all kinds of bestial things happen, the more distaff of them “bolstering the general’s growing impression that the women of this city are more twisted than the men.” Wascom’s yarn is shaggier than 10 sheepdogs, and while there’s much of merit in the book, it’s relentlessly overwritten, as if the shade of Cormac McCarthy had been summoned to the Ouija board and ping-ponged a text from some other dimension where the dictionary is better exploited than in our own. Beneath the showy language and endless allusion (one character, in an evident nod to Poe, is named Ligeia) lies a potentially satisfying thriller packed with meaningful malice (as with, for instance, a banner embroidered with the motto “the she-adder’s venom is as deadly as the he-adder’s”). Getting to it, though, takes a lot of work.
More discipline and fewer pyrotechnics would have served this story well. For the moment, in the Rhett Butler–ish words of Angel, “It doesn’t make a damn.”Pub Date: July 7, 2015
ISBN: 978-0-8021-2361-9
Page Count: 352
Publisher: Grove
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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