Family drama and love story, Wascom’s latest is evidence of an evolving talent. Look for more.
Wascom (Secessia, 2015, etc.) delivers a lyrical, emotionally charged study of life along the Gulf Coast a century past.
With less self-conscious flash than in his previous novel, largely set in New Orleans, Wascom moves out to shore and “the sea of storms” with this comparatively modest tale of nature-knowing Isaac Patterson and his love for Kemper Woolsack, the heiress to the fortune of a family who constituted “a machine that fed on misery,” its riches bound to extracting the resources of the Gulf with no regard for the cost in the lives of others. Rich or poor, Wascom’s characters harbor secrets—especially Kemper’s brother, Angel, “hopelessly, helplessly bound” to a thinly closeted life as a gay man in a time when such a life is harshly punished. Angel’s torments are bound up as well in a Shakespearean family dynamic that plays out among the rusting hulk of the Maine, the streets of Havana and the hills of Haiti, and mildewed manses from Louisiana to Florida. Suffice it to say that not much can end well given such ingredients. Even so, the tragedy that closes Kemper and Isaac’s life together comes as a swiftly onrushing surprise, as does a galloping conclusion that follows a much more languorously unfolding narrative, one that takes in wayward women, country preachers, orphanages, steaming ports, and a thousand well-observed period details. The best moments of this very good book are those in which Wascom writes with sententious but not sentimental poetry: “There are those who condescend to tell you about love and loss, and have known neither at its full pitch, which is nearest to madness and sends us out to wander unknown, night-black countries, seeking what we cannot have, the land growing less and less familiar with each step.”
Family drama and love story, Wascom’s latest is evidence of an evolving talent. Look for more.Pub Date: July 10, 2018
ISBN: 978-0-8021-2817-1
Page Count: 256
Publisher: Grove
Review Posted Online: April 30, 2018
Kirkus Reviews Issue: May 15, 2018
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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