by Kenzaburo Oe ‧ RELEASE DATE: May 1, 1995
More shaded, more graphic, and angrier than Lord of the Flies, but the fierce anger is transmuted by Oe's art into literary...
First American publication of 1994 Nobelist Oe's 1958 debut novel: a fiercely intense, unsparingly realistic chronicle of the cruelties visited on the deviant and the different.
Unlike most Japanese writers, Oe (The Silent Cry, 1975, etc.) prefers the direct to the oblique, truth to euphemism, and the intellectual to the mystic. Set in rural Japan, an area almost mythic in its isolation and timelessness, the story concerns a group of juvenile delinquents being evacuated en masse from a reformatory due to wartime air raids. Harried from village to village by hostile peasants who mistreat and starve them, the boys finally arrive in a rain-sodden mountain hamlet. Here, they must dig a grave and then bury a mound of plague-ridden animal corpses. Overnight, one of the youngest boys dies from the plague, and next morning all awake to find the village abandoned except for a girl and a dead woman; the inhabitants, fearing the plague, have blocked all exits and fled. For a while, time "went really slowly and simply wouldn't pass." Then the adolescent narrator, his tenderhearted young brother, and their tough comrade Minami break into the houses for food; they meet an abandoned Korean boy and a deserting soldier who's been hiding in the forest; and the narrator has a brief love affair with the nameless girl left behind in the villagers' flight. But she sickens and dies; his brother runs away; the residents return to kill the deserter and punish the boys; and the narrator—``only a child, tired, insanely angry, tearful, shivering with cold and hunger''—runs off into the forest.
More shaded, more graphic, and angrier than Lord of the Flies, but the fierce anger is transmuted by Oe's art into literary gold- -an anguished plea for tolerance more wrenching than any rant could ever be. (First serial to Grand Street; author tour)Pub Date: May 1, 1995
ISBN: 0-7145-2997-4
Page Count: 189
Publisher: Marion Boyars
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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