Next book

A PERFECT ARMENIAN

Loose and rough in places, but a dramatic story of fighting for freedom.

On the eve of World War I, an Armenian black marketeer conceives a hazardous plan to help his family escape from Turkey to Cyprus.

As this novel begins, Tavid Kaloustian is already playing a risky game by selling opium resin and buying weapons in Constantinople, which he distributes to Armenians. History and his freedom-fighter grandfather have taught him to be wary; Armenians in Turkey have undergone persecution and now, in 1914, are again being targeted, and the ports are closed to them. When Tavid receives a letter from his grandfather, thought to be dead, inviting him and the family to Cyprus, he resolves to get them there—but first he will arm and train his fellow villagers back home. Employing disguise, explosives, weapons, bribery and fearless leadership, Tavid engineers a perilous escape. In his debut novel, Topouzian illuminates a historical episode that deserves wider understanding; the United States still does not officially recognize the 1915–16 forced deportations and massacres, which killed 1.5 million Armenians, as genocide, although many international bodies—including the International Association of Genocide Scholars—have done so. Topouzian sheds a warm light on Armenian culture and traditions, especially food, drink and hospitality, while acknowledging that “[i]n some ways, we are our own worst enemy. United we are not.” Colorful Turkish and Armenian expressions are woven through the book, and Topouzian has some memorable scenes, from battles to tender moments—as when a dying father says to his daughter, “Come! Give your father a bachig [kiss] so I can take it with me and show Christ and make him jealous.” A subplot involving Tavid’s love interest isn’t wellintegrated into the story, the book’s middle section is somewhat formless and phrasing is occasionally clumsy (“Reflexing, Shant looked back”). Topouzian’s footnotes and glossary, while helpful, are inconsistently provided. Tavid’s character is also problematic: while brave and strong, he also seems to relish killing, which tarnishes his heroism.

Loose and rough in places, but a dramatic story of fighting for freedom.

Pub Date: Dec. 12, 2012

ISBN: 978-0985412401

Page Count: 336

Publisher: Hyevan Publishing

Review Posted Online: April 21, 2014

Next book

KING MIDAS AND THE GOLDEN TOUCH

PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-688-13165-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

Categories:
Next book

THE LEGEND OF THE LADY SLIPPER

AN OJIBWE TALE

Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)

Pub Date: March 1, 1999

ISBN: 0-395-90512-5

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1999

Categories:
Close Quickview