A raw, honest, and poetic memoir.
The author’s day-book follow-up to her acclaimed debut, Thin Places.
In her latest memoir, Irish writer ní Dochartaigh reflects on 2020, which she spent in isolation with her partner in a small stone cottage that he had inherited two years prior. Coupled with the tumult of the pandemic was the uncertainty that the author would ever be able to bear a child. She chronicles her thoughts and feelings from that year in various forms, including journal entries and poems. At times overly fragmented, the narrative expresses the author’s strong emotions and often-obsessive thoughts about her inability to carry a pregnancy to term. “I cried and cried and cried because of grief,” she writes. “Grief I have already spent far too much time, energy and ink on.” On the whole, ní Dochartaigh’s observations are lyrical and relatable. She describes how she took up gardening, which provided both distraction and comfort. “I wish I’d known, long before now, that sowing is a way to grieve,” she writes. Throughout, ní Dochartaigh shares details of various dreams and her attempts to interpret them, including a recurring one of a “bird-child,” which brought about a shift in her mindset. She also found herself consumed with memories and the meaning they hold in our lives, and she expresses being drawn to moths and “the resilience of small things.” A voracious reader, ní Dochartaigh discusses works of literature that served as important companions and helped her navigate her emotions. I have found myself, in the thick of a global pandemic, utterly obsessed with Virginia Woolf,” she writes. “More specifically: with her journals….Even more specifically, still: I am hungry for accounts of time experienced by women.” Reflecting on the changes that the year brought for her and all of us, she notes, “I can’t go back to who I was before that year.”
A raw, honest, and poetic memoir.Pub Date: Nov. 14, 2023
ISBN: 9781571311573
Page Count: 308
Publisher: Milkweed
Review Posted Online: July 26, 2023
Kirkus Reviews Issue: Aug. 15, 2023
BOOK REVIEW
PERSPECTIVES
An engrossing and ominous chronicle, told by a master of the form.
Documenting perilous times.
In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”
An engrossing and ominous chronicle, told by a master of the form.Pub Date: Oct. 15, 2024
ISBN: 9781668052273
Page Count: 448
Publisher: Simon & Schuster
Review Posted Online: Oct. 15, 2024
Kirkus Reviews Issue: Dec. 15, 2024
IN THE NEWS
PERSPECTIVES
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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