Alas, there is no holiday illumination here.
Which candle will have the place of honor on the menorah?
Nine anthropomorphic candles are at first overjoyed to welcome Hanukkah but then face a crisis. Who is to be the shamash, or helper candle, who glows the highest? As Waxy the wise candle tells the story of the holiday, the others, all primped and groomed, noisily push themselves forward. All except Little Flicker, that is, who has a big heart and a solid work ethic. Even Sparky and Sparkle, the Shabbat candles, put forth their fitness for the position. (One sports a pink bow in its wick and the other a blue bow tie.) Then Ms. Wicks, the Havdalah candle lit at the conclusion of Shabbat, presents her qualifications. Little Flicker softly reminds them that the number of candles lit increases nightly so “the light in the world should only grow brighter.” All the others now know that pious, modest Flicker should be selected. The Hanukkah candles are depicted in the cartoon illustrations in different colors and with variably expressive faces. What is certain to confuse observant readers is that a box of Hanukkah candles actually contains 44, because after they are lit the candles burn down completely each night. Problematically for readers who are shomer Shabbat, the text states that Shabbat candles are lit “exactly at sunset” when in fact care should be taken that they be lit several minutes earlier. The tale ends with a family scene of gluttony-filled latke and jelly-doughnut consumption.
Alas, there is no holiday illumination here. (authors’ note) (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-998-8527-5-1
Page Count: 32
Publisher: Kalaniot Books
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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