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STRIVERS ROW

Baker the social historian (he’s pretty good) trumps the novelist (not so hot) in this overstuffed novel whose parts are...

World War II Harlem is the setting for the parallel stories of a preacher (invented) and a hustler (the future Malcolm X) in Baker’s fourth novel, which concludes his New York–based trilogy.

A Harlem minister, Jonah Dove, is returning by train to New York from Martha’s Vineyard with his wife Amanda. Jonah, light enough to pass for white, and his much darker wife are saved from a mob of racist soldiers by an intrepid railroad sandwich man, 18-year-old Malcolm Little, leaving Jonah feeling impotent and humiliated. His famous father Milton (now 94) once led former slaves out of Virginia to form his first congregation. On retirement, he installed Jonah as his successor and even arranged his marriage; no surprise, then, that Jonah feels unworthy of his congregation and the too-perfect Amanda. Meanwhile, Malcolm, new to Harlem, is like a kid at Christmas, checking out the Savoy, Small’s Paradise and an anything-goes rent party. He falls in love with a beautiful white girl at the Savoy; he works as a waiter, a numbers runner, a drug dealer and a john-walker; he even has visions of Elijah Muhammad, though this reckless young blood has yet to touch bottom. Baker alternates between his two leads (goodbye, narrative momentum) while dipping frequently into their pasts. Scenes from Malcolm’s grim Michigan childhood are interwoven with striking vignettes of Elijah and Wallace Fard, his bizarre mentor; Jonah’s darkest hour occurred after rejection by his college buddies (they discovered he was colored). Affecting both men is a Harlem seething with anger at its army of occupation (the white cops) while black soldiers are being brutalized down South. Baker ends with an unlikely transformation. Wimpy Jonah, who has even botched his brief the-hell-with-it-all departure from home and church, returns to deliver a triumphant sermon, rescue Malcolm from a cop and defuse a race riot.

Baker the social historian (he’s pretty good) trumps the novelist (not so hot) in this overstuffed novel whose parts are better than the whole.

Pub Date: Feb. 7, 2006

ISBN: 0-06-019583-5

Page Count: 560

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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