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SEE FRED RUN

TEACHES 50+ SIGHT WORDS!

Like Dick and Jane, Ed and Fred provide a way to practice a boring but necessary beginning reading skill. It’s too bad their...

Bolger works hard to tell a story with just 59 words—something of a feat.

Unfortunately, the instructional goal and an untrustworthy narrator overshadow Ed and Fred’s misadventures. Orange Ed and purple Fred, vaguely bean-shaped cartoon creatures, act out the words of an omniscient narrator. Fred’s words are printed in speech bubbles, while Ed silently responds to the narrator’s prompts. By the eighth cartoon panel, Fred figures out this structure and speaks directly to the narrator. He grows increasingly unhappy to find himself the butt of the rather mean-spirited narrator’s jokes, not unlike the daisy-headed Daffy in the classic “Duck Amuck.” When he refuses to run while wearing a chicken suit, tigers and gorillas appear, and Fred gives in. Additional reading practice is provided when sight words are repeated as environmental print, including Fred’s sign reading, “I want OUT of this book.” Told “it was just a joke,” he responds with a sign that reads, “Well, it was not funny.” They seem to negotiate a truce but then: “POOF!” Fred is humiliated again. The list of sight words to practice is split between the beginning of the book and the endpapers, which may confuse young learners. Words not on the lists (“welcome,” “jungle,” “underpants”) depend on context clues.

Like Dick and Jane, Ed and Fred provide a way to practice a boring but necessary beginning reading skill. It’s too bad their narrator is not as nice as Dick and Jane’s. (Early reader. 5-8)

Pub Date: Aug. 1, 2017

ISBN: 978-0-06-228602-4

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

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A BIKE LIKE SERGIO'S

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on...

Continuing from their acclaimed Those Shoes (2007), Boelts and Jones entwine conversations on money, motives, and morality.

This second collaboration between author and illustrator is set within an urban multicultural streetscape, where brown-skinned protagonist Ruben wishes for a bike like his friend Sergio’s. He wishes, but Ruben knows too well the pressure his family feels to prioritize the essentials. While Sergio buys a pack of football cards from Sonny’s Grocery, Ruben must buy the bread his mom wants. A familiar lady drops what Ruben believes to be a $1 bill, but picking it up, to his shock, he discovers $100! Is this Ruben’s chance to get himself the bike of his dreams? In a fateful twist, Ruben loses track of the C-note and is sent into a panic. After finally finding it nestled deep in a backpack pocket, he comes to a sense of moral clarity: “I remember how it was for me when that money that was hers—then mine—was gone.” When he returns the bill to her, the lady offers Ruben her blessing, leaving him with double-dipped emotions, “happy and mixed up, full and empty.” Readers will be pleased that there’s no reward for Ruben’s choice of integrity beyond the priceless love and warmth of a family’s care and pride.

Embedded in this heartwarming story of doing the right thing is a deft examination of the pressures of income inequality on children. (Picture book. 5-8)

Pub Date: Oct. 4, 2016

ISBN: 978-0-7636-6649-1

Page Count: 40

Publisher: Candlewick

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE KEEPER OF WILD WORDS

Sweet—and savory.

When a girl visits her grandmother, a writer and “grand friend,” she is seeking something special to share at show and tell on the first day of school.

Before Brook can explain, Mimi expresses concern that certain words describing the natural world will disappear if someone doesn’t care for and use them. (An author’s note explains the author’s motivation: She had read of the removal of 100 words about outdoor phenomena from the Oxford Junior Dictionary.) The duo sets out to search for and experience the 19 words on Mimi’s list, from “acorn” and “buttercup” to “violet” and “willow.” Kloepper’s soft illustrations feature green and brown earth tones that frame the white, matte pages; bursts of red, purple, and other spot colors enliven the scenes. Both Mimi and Brook are depicted as white. The expedition is described in vivid language, organized as free verse in single sentences or short paragraphs. Key words are printed in color in a larger display type and capital letters. Sensory details allow the protagonist to hear, see, smell, taste, and hold the wild: “ ‘Quick! Make a wish!’ said Mimi, / holding out a DANDELION, / fairy dust sitting on a stem. / ‘Blow on it and the seeds will fly. / Your tiny wishes in the air.’ ” It’s a day of wonder, with a touch of danger and a solution to Brook’s quest. The last page forms an envelope for readers’ own vocabulary collections.

Sweet—and savory. (Picture book. 5-8)

Pub Date: March 10, 2020

ISBN: 978-1-4521-7073-2

Page Count: 62

Publisher: Chronicle Books

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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