by Kevin Boyle ‧ RELEASE DATE: Sept. 7, 2004
The way history should be written. (8 pp. b&w photos, not seen)
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Pulitzer Prize Finalist
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A murder case in Detroit lies at the heart of labor scholar Boyle’s wide-ranging examination of race relations early in the 20th century.
One September evening in 1925, physician Ossian Sweet and his young family spent their first night in their new home on Garland Avenue, a previously all-white block four miles east of downtown. The very next evening, a crowd formed across the street from the Sweets’ bungalow, which now sheltered some volunteer defenders. Rocks were thrown, shots were fired from the house, and a white man lay dead. Boyle (History/Ohio State) meticulously tells the story of the Sweets, one family among the many who participated in the grand effort to do away with Jim Crow laws. The ’20s were the decade of the New Negro, the Harlem Renaissance, and the rise of the African Methodist Episcopal Church. The KKK’s Invisible Empire spread in response to black militancy, but the NAACP also grew, thanks to remarkable activists like James Weldon Johnson and William White. The Great Migration brought strivers by the thousands from oppression in Dixie to unexpected prejudice in the urban North, including the Motor City. Born and raised in Detroit, Boyle depicts the politics and people of the industrial metropolis, vividly evoking life in the city’s Black Bottom ghetto. He presents a balanced, considered portrait of Sweet, born in rural Florida, a graduate of Wilberforce University and Howard Medical School, and of other players in the drama. Along the way, he establishes an early tension that, after instruction in some African-American history, culminates in a classic courtroom drama starring the Great Defender himself, Clarence Darrow. Told with exemplary care and intelligence, this narrative chronicles inflammatory times in black and white America and pays tribute to those heroes who struggled to get Old Jim Crow where he lived.
The way history should be written. (8 pp. b&w photos, not seen)Pub Date: Sept. 7, 2004
ISBN: 0-8050-7145-8
Page Count: 384
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2004
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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