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A FEW SECONDS OF RADIANT FILMSTRIP

A MEMOIR OF SEVENTH GRADE

Often charming, occasionally moving, but mainly a book about not much that hasn’t happened to pretty much everyone and which...

A portrait of the author as a seventh-grader who’s a little more sensitive but otherwise not much different than most.

In his acknowledgements, novelist Brockmeier (The Illumination, 2011, etc.) categorizes this as an “odd little memoir-novel-thing,” which serves as an apt description. It is a coming-of-puberty account of the seventh-grade school year, one that finds friends turning to bullying, acquaintances becoming friends and girls remaining unattainable. “Kevin is good with stories and always has been,” he writes of the protagonist of this narrative, the only character who is fully developed; he’s as self-conscious as most adolescents are during a stage of such tumultuous change. He has spent the summer with his father and returns to the home he shares with his mother and brother to find that everything has changed: music, slang, activities, allegiances. Of course, that will all change and change again, and those he considered his friends will ridicule him the most, finding “the softest tools they can use to hurt him,” a milder form of what would now be recognized as bullying. “He has always been the kid who cries too easily and laughs too easily,” writes Brockmeier, but “he is trying hard not to be him anymore, that kid.” The pivotal chapter takes the nonfictional form of magical realism, anticipating Kevin’s future, putting his (then) present crises in perspective and offering him a choice that could change the course of his existence. Otherwise, it’s a book about coming to terms, accepting that “it’s too late for you to become a different person. You’ll never be tall, and you’ll never be strong.” But he will become a writer, which is what he was even back then.

Often charming, occasionally moving, but mainly a book about not much that hasn’t happened to pretty much everyone and which pretty much everyone has survived.

Pub Date: April 1, 2014

ISBN: 978-0-307-90898-8

Page Count: 208

Publisher: Pantheon

Review Posted Online: Jan. 20, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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