Chen’s exploration of generational trauma is both too much and not enough.
A haunted family saga from a winner of the Taiwan Literature Award for Books.
“It’s Ghost Festival today, the Day of Deliverance. The ghosts are coming. I’ve come back, too.” This is what Keith Chen says to his lover as Keith stands in front of the house where he grew up. Or, rather, this is what Keith would say if his lover were by his side—if his lover was still alive. Keith is returning to his backward, backwater hometown after spending time in a German prison for killing that lover. He’s seeking memories, but not all of the memories he encounters are welcome ones, and he and his family are surrounded by unquiet spirits—and, although still living, are unquiet spirits themselves, haunting their own lives. Running beneath the whole narrative is the secret story of the death of Keith’s lover. The ideas that Chen (the author, not the character) is playing with are familiar to anyone who has read Gothic literature—from Wuthering Heights to Jesmyn Ward’s Sing, Unburied, Sing (2017). And there are moments when Chen creates a truly eerie atmosphere. One of the many characters who narrates this novel—himself a ghost—describes all of Yongjing awakening as his wife and the other women of the town chant during an impromptu morning ritual: “The ghosts in the public cemetery all woke up, too, as did the weeds, the tree snags, and the fallowed fields, along with the molds, the rice stalks, and the wildflowers. All the living, the dead, and the living who wished they were dead in that small town were woken rudely up.” But, despite the diversity of narrators, there isn’t much diversity of voice—a lack of interiority makes it difficult to distinguish one character from another—and most of this story is told in a flat, expository style that is, ultimately, wearying. There is something initially powerful in the way that Chen presents cruelty as commonplace, but this stylistic choice quickly reaches a point of diminishing returns. It seems likely that most readers will either become anesthetized to the brutality or simply quit reading.
Chen’s exploration of generational trauma is both too much and not enough.Pub Date: Oct. 25, 2022
ISBN: 978-1-60945-798-3
Page Count: 384
Publisher: Europa Editions
Review Posted Online: Oct. 11, 2022
Kirkus Reviews Issue: Nov. 1, 2022
A surprisingly sensual sports romance.
A collegiate diver and swimmer secretly pursue kink together, and risk falling in love along the way.
Scarlett Vandermeer is struggling. Despite a successful recovery from the injury that almost ended her Stanford diving career, she hasn’t been able to get her head together, and it’s affecting her performance. Plus, she’s trying to stay focused on getting into medical school. A relationship would be out of the question. By comparison, Lukas Blomqvist is a swimming idol, a record-breaker who wins medals as easily as breathing, and Scarlett has long been convinced he would never look in her direction—until one fateful night when a mutual friend lets slip that they have something unexpected in common: Scarlett likes to be submissive in the bedroom, while Lukas prefers to take a dominant approach. Now, they both know a big secret about each other, and it’s something neither of them can stop thinking about. It’s Lukas who suggests they have a fling—purely physical, just to take the edge off, so Scarlett can get out of her own head and stop overthinking her dives. Initially, their arrangement is easy to stick to, but the more time they spend together, the more Scarlett starts to realize that what she feels for Lukas is more than physical attraction. Complicating the situation is the fact that Scarlett’s friend Penelope Ross used to go out with Lukas, and the longer Scarlett keeps mum about her true feelings for him, the more difficult it is to keep the situation hidden from another person she really cares about. While Scarlett and Lukas’ relationship does begin as a physical one, their deeper psychological connection takes a little too long to emerge amid all the other storylines, resulting in a somewhat rushed resolution. However, Hazelwood’s latest is proof of the depth and maturity that has emerged in her writing over the years, and it highlights her embrace of sexier, more emotional elements than were present in her original STEMinist rom-coms.
A surprisingly sensual sports romance.Pub Date: Feb. 4, 2025
ISBN: 9780593641057
Page Count: 464
Publisher: Berkley
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
Unrelenting, and not in a good way.
A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.
Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.
Unrelenting, and not in a good way.Pub Date: Nov. 7, 2023
ISBN: 9781649374172
Page Count: 640
Publisher: Red Tower
Review Posted Online: Jan. 20, 2024
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
