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TEN INNINGS AT WRIGLEY

THE WILDEST BALLGAME EVER, WITH BASEBALL ON THE BRINK

Fine, tasty fare for dedicated baseball fans.

A former senior editor for Sports Illustrated returns with a highly detailed account of a bizarre 1979 game between the Philadelphia Phillies and Chicago Cubs: The final score, in 10 innings, was 23-22.

In this comprehensive narrative, nothing gets by Cook (Electric October: Seven World Series Games, Six Lives, Five Minutes of Fame that Lasted Forever, 2017, etc.). After a bit of background and history—the two teams, baseball in general, Wrigley Field—the author takes us through 20 swift chapters, each devoted to a half-inning of this weird game at Wrigley on May 17, 1979. In each chapter, he focuses on a player or two—or a manager—and provides a brief biography and a discussion of how he ended up at Wrigley that day. Many of the names will be familiar even to casual baseball fans: Bill Buckner, Pete Rose, Mike Schmidt, Tim McCarver, Dave Kingman; others, not so much, except to fans of the teams or to devoted fans of the game—e.g., Jerry Martin, Bill Caudill, Ray Burris. Cook weaves their stories in and out of the narrative, thereby enriching his well-researched tale as he proceeds. Following the last out in the 10th, the author concludes with explorations of what happened to the teams and to some of the principals afterward. We learn more about Buckner’s famous error in the 1986 World Series, Pete Rose’s fall from grace (gambling), and catcher Bob Boone’s remarkable family (his sons played in the major league as well). But the most disturbing story involves Cubs’ reliever Donnie Moore: He was a talented pitcher but was a serial abuser of his wife; his abuse grew grotesquely grim when, in a rage in 1989, he shot her several times (she survived) before killing himself.

Fine, tasty fare for dedicated baseball fans.

Pub Date: May 7, 2019

ISBN: 978-1-250-18203-6

Page Count: 272

Publisher: Henry Holt

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 15, 2019

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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