by Kevin Cornell ; illustrated by Kevin Cornell ‧ RELEASE DATE: Sept. 7, 2021
A towering achievement.
A crafty bridge troll, suspicious termites, and an ambitious tower project figure into a meticulously detailed and playful outing.
The precariously poised town of Puddletrunk, which rests on an island, has a big problem. Its hundreds of attempts at building a bridge to the outside world continually fail due to termites. That’s to the benefit of Mortimer Gulch, a green bridge troll who is more than happy to keep attempting new bridge projects as long as the town keeps filling his pockets with cash and jewelry. Gulch has a problem of his own: a newly arrived traveling repairman, a man of color, who’s interested in rebuilding the clock tower. The repairman, who’s determined to protect his materials from termites, stands in the way of Gulch’s scheme; it turns out the troll is destroying the bridges himself and blaming the collapses on nonexistent vermin. Gulch’s greed ultimately backfires in a satisfying conclusion that finds the repairman staying to continue improving Puddletrunk. Though the plot is a simple reversal, the book’s comedically styled design, with visual jokes and bits of town business happening along the edges of every page, makes for an extremely engaging read that’s worth repeating. From Gulch’s lemonade and hot dogs to the pinned-up documentation of each bridge project, Cornell’s paintings are stuffed with wit. Even the curling storybook type does a little bit of lifting in a book that doesn’t miss any opportunities to delight. When the town finally overcomes its bridge dilemma, “Everyone enjoy[s] themselves immensely!” Readers will, too. (This book was reviewed digitally.)
A towering achievement. (Picture book. 4-8)Pub Date: Sept. 7, 2021
ISBN: 978-0-374-30609-0
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by JaNay Brown-Wood ; illustrated by Hazel Mitchell ‧ RELEASE DATE: Oct. 14, 2014
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
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