It’s the year 1200, and young Arthur de Caldicot is at the crossing-places, those murky, in-between places not quite defined: dawn and dusk, New Year’s Day, the foreshore, and the times and places of our lives where change is likely. Arthur is living in the Marches—part English, part Welsh—beginning a new life as squire for Lord Stephen at Holt Castle. He now knows that Sir John and Lady Helen are not his real parents; he knows his father is a murderer but doesn’t know his real mother. In this second of the planned trilogy, Crossley-Holland (The Seeing Stone, 2001, etc.) takes readers along with Arthur de Caldicot through the seeing stone Merlin gave him to witness the drama of the Arthurian tales: Arthur’s coronation, Excalibur, the Round Table, Morgan Le Fay, Sir Gawain, and the Holy Grail. Certain themes and moral ideas continue from the first volume: “Who we are isn’t only a matter of blood; it’s what we make of ourselves.” “If God loves us all the same, why doesn’t He treat us all the same?” Arthur grows up with guidance from Lord Stephen, Merlin, and the lessons of the seeing stone. This is a handsome volume with 101 chapters, a spacious design, and page decorations based on 13th-century ornamental lettering. Though many issues are left up in the air by the end of the lengthy work, the ending itself is a crossing-place. Arthur is not home nor has he made it to Jerusalem. He is living his dream of being a squire on a Crusade, but he yearns to be home, too. He has yet to find his mother, and he wonders about his new relationship with Winnie de Verdon. Readers will look forward to the third installment of this grand epic tale to see what Arthur makes of himself. (cast of characters, author’s note, word list) (Fiction. 12+)
Pub Date: Oct. 1, 2002
ISBN: 0-439-26598-3
Page Count: 416
Publisher: Levine/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
When Death tells a story, you pay attention. Liesel Meminger is a young girl growing up outside of Munich in Nazi Germany, and Death tells her story as “an attempt—a flying jump of an attempt—to prove to me that you, and your human existence, are worth it.” When her foster father helps her learn to read and she discovers the power of words, Liesel begins stealing books from Nazi book burnings and the mayor’s wife’s library. As she becomes a better reader, she becomes a writer, writing a book about her life in such a miserable time. Liesel’s experiences move Death to say, “I am haunted by humans.” How could the human race be “so ugly and so glorious” at the same time? This big, expansive novel is a leisurely working out of fate, of seemingly chance encounters and events that ultimately touch, like dominoes as they collide. The writing is elegant, philosophical and moving. Even at its length, it’s a work to read slowly and savor. Beautiful and important. (Fiction. 12+)
Pub Date: March 14, 2006
ISBN: 0-375-83100-2
Page Count: 512
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2006
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