A lovely, magical volume that is a must-have for storytelling collections.
A selection of folktales from the British Isles.
Gathering material previously published in two separate collections, Crossley-Holland (Norse Myths, 2017, etc.) includes nearly 50 stories divided by theme: “Magic and Wonder,” “Adventures and Legends,” “Fairies and Little People,” “Power, Passion, and Love,” “Wits, Tricks, and Laughter,” and “Ghosts.” Readers will encounter familiar favorites, such as “King of the Cats,” “Tam Lin,” and “The Black Bull of Norway,” as well as lesser-known tales. The stories are told in language that is both economical and vividly evocative, with a cadence that lends itself equally well to reading aloud or as a basis for learning a story to tell orally. Rather than appealing directly to teen readers, it is likely that this book will be indispensable to educators planning folklore units or teaching storytelling skills. Castle’s (Journeys of Discovery, 2018, etc.) black-and-white digital illustrations call to mind woodblock prints, and their rustic beauty greatly enhances the book. The thorough source notes are a model for works of this type, indicating what is typically the earliest printed version of the story, its geographical origin, particular adaptations Crossley-Holland made, and, quite often, his reason for selecting that individual tale. Encompassing moods from whimsical to awe-inspiring to spooky to fantastical, this is a valuable resource for fans of northern European folklore.
A lovely, magical volume that is a must-have for storytelling collections. (pronunciation guide, afterword, sources and notes, biographies) (Folklore. 12-adult)Pub Date: Oct. 8, 2019
ISBN: 978-1-5362-0941-9
Page Count: 352
Publisher: Candlewick
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
A fun and scary slasher thriller.
A Fourth of July celebration turns deadly for a group of teens in Ross’ YA psychological thriller.
Eighteen-year-old Riley March and four girlfriends—Cam, Val, Nia, and Blake— are off on a celebratory Independence Day weekend away, their last before they all leave for college in the fall. Their destination is the exclusive and remote Palm Key Island, the perfect location for wealthy kids to spend their leisure time. Some of their other friends from school are there, too, including Riley’s crush, Sebastian. Riley needs to make sure no one finds out her biggest secret: She really doesn’t belong in this group, as she is not rich like her friends. Their weekend of sun, booze, and partying starts to go wrong when Val disappears after a night out clubbing—she’s presumably off with a boy—and warnings of an approaching hurricane sour the mood. As the group (joined by some male friends) hunkers down, trapped inside their rental with no internet or electricity while waiting for the storm to pass, tensions build and relationships start to unravel. They learn why their summer house rental is so cheap as casualties begin mount. The author’s compelling, fast-paced thriller pays homage to slasher movies and serial killer lore with a fun hook: “Things no longer seem fun and light anymore as I remember we’re about to be trapped in a hurricane—and in a murder house, no less. The only thing worse than that is being trapped in a hurricane, in a murder house, in complete darkness.” As the scares spiral, Ross maintains a tight focus on the complex, complicated relationship dynamics within the group of teen girls, all conveyed from Riley’s outsider/insider’s perspective. Still reeling from a close friend’s death by suicide the year before, the group’s secrets start to spill out, unveiling a history of bullying, competition, and privilege in a well-balanced narrative arc.
A fun and scary slasher thriller.Pub Date: June 13, 2023
ISBN: 978-0988256828
Page Count: 266
Publisher: Ic13 Books
Review Posted Online: June 1, 2023
Kirkus Reviews Issue: July 15, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Buy it. Read it. Share it.
The last week at Scouting camp highlights accomplishments and humiliations that last a lifetime.
Aiden, a fat, biracial (Filipino and White), soon-to-be high schooler, is in his last week of Boy Scout camp in 1995. Each day documents events, from bonding over fireside songs and learning important skills to the micro- and macroaggressions that follow an adolescent boy of color who presents as effeminate and is queer. As the week moves on, readers learn more about Aiden and his life, from his stressful home with an emotionally abusive father to his love of Catholicism and being an altar server. The stress of a new school, bullies who are ever present, and struggles with identity drive Aiden to a breaking point, one that’s familiar to many young people. The monochromatic illustrations, sometimes highlighted with red, orange, and yellow, are timeless moments of a remembered childhood. The use of red to highlight the tangible (firelight, a Swiss Army knife) and represent the intangible (passion, sorrow, and hope) is a master class in simplicity. But the true star of this book is the writing, which describes a boy who could live in any decade on his journey of self-discovery. This is a story that will be read and reread, and for some, it will be the defining book of their adolescence.
Buy it. Read it. Share it. (afterword, resources) (Graphic fiction. 12-18)Pub Date: Sept. 1, 2020
ISBN: 978-1-62779-641-5
Page Count: 368
Publisher: Henry Holt
Review Posted Online: June 14, 2020
Kirkus Reviews Issue: July 1, 2020
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