A rare look at citizens often denied their dignity.
Putting a face on people who don’t have homes.
The homeless epidemic afflicts every American city, and yet San Francisco has often been designated by the national news media as the homeless capital of America. After all, as veteran San Francisco Chronicle reporter Kevin Fagan writes, “If you have to be homeless, there’s no better place than San Francisco. This is where the booze and dope are plentiful, the cops are lax, and the homeless culture is so widespread you can disappear into it.” With compassion, an eye for detail, and an instinct for the human stories behind the statistics, Fagan gives voice to the often-anonymous individuals propelled on downward spirals that take them from suburbia and middle-class comforts to mean streets rife with panhandling, AIDS, fentanyl, disease, and death. When needed, Fagan brings in facts: 35% of San Francisco’s unhoused are Black, yet they make up only 6% of the population. Born and raised in the Bay Area and briefly homeless himself, Fagan knows what it’s like to be without a bed at the end of the day. In his book, he focuses on a traffic island that’s dubbed “Homeless Island.” Perched between the Tenderloin and Mission districts, it’s not far from City Hall. Fagan contrasts Homeless Island with the beauty and wealth of a city that has long prided itself on its caring—but that often doesn’t want to acknowledge the waves of refugees from elsewhere who arrive without resources and must find a space on a sidewalk or under a bridge. “The Shame of the City,” a Chronicle series on homelessness that Fagan produced, helped inspire California Gov. Gavin Newsom to create “Homeward Bound,” a program that reunites the unhoused with family and friends. Like that series, this book is powerful, offering a humanizing and hopeful portrait of an abiding problem.
A rare look at citizens often denied their dignity.Pub Date: Feb. 11, 2025
ISBN: 9781668017111
Page Count: 288
Publisher: One Signal/Atria
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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