A smart, entertaining send-up of celebrity under siege.
A rock star searching for his soul embarks on an underworld picaresque in this gonzo satirical romance.
Rook Heisenberg, frontman for the stupefyingly vapid band the Little Bang, experiences every facet of rock-star life—the adoring fans, the glitzy mansion, the three-ways with random bimbos—and a dazed sense of anomie, salved only by memories of his long-lost high-school sweetheart Hula. Once an Internet search and an e-mail reforge that link, Rook is off to Amsterdam, where he discovers that Hula has become the moll of Svidrigailov, a Russian gangster who has put her to work in his brothel, and that Rook and Hula have a teenage daughter named Boudicca, whom Svidrigailov has sequestered in Mumbai. Accompanied by his bodyguard, a beautiful Chinese woman who is as blasé about mass killings as she is about group sex, Rook sets out for India to rescue Boudicca from white slavery. There he is overwhelmed by street urchins, Bollywood stars, menacing thugs who melt when he croons to them, and a pharmaceutical consciousness-raiser so potent that it threatens to destroy his narcissistic cocoon. Rook’s quest gives the author a broad canvas for a funny, sardonic portrait of fame at its most inescapable: as he dispenses autographs and $100 bills to an ever-changing throng of autograph-seekers and flunkies who secretly despise him, he’s constantly confronted with billboards of himself hawking his fashion line. Glavin tells the story with a polished prose style and threads it with intriguing allusions to everything from magic squares to Van Gogh and Dostoevsky. Amid the breezy, Tarantino-esque provocations, he smuggles pathos into Rook’s search for family and meaning, though the debauches and dismemberments proceed in such a casual, jaded tone that they drain some of the novel’s emotional charge. But this diverting, imaginative read keeps the pages turning.
A smart, entertaining send-up of celebrity under siege.Pub Date: Jan. 1, 2010
ISBN: 978-0982546628
Page Count: 498
Publisher: Kevin Glavin
Review Posted Online: Jan. 17, 2011
Kirkus Reviews Issue: March 1, 2011
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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