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ROCK STAR'S RAINBOW

A smart, entertaining send-up of celebrity under siege.

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A rock star searching for his soul embarks on an underworld picaresque in this gonzo satirical romance.

Rook Heisenberg, frontman for the stupefyingly vapid band the Little Bang, experiences every facet of rock-star life—the adoring fans, the glitzy mansion, the three-ways with random bimbos—and a dazed sense of anomie, salved only by memories of his long-lost high-school sweetheart Hula. Once an Internet search and an e-mail reforge that link, Rook is off to Amsterdam, where he discovers that Hula has become the moll of Svidrigailov, a Russian gangster who has put her to work in his brothel, and that Rook and Hula have a teenage daughter named Boudicca, whom Svidrigailov has sequestered in Mumbai. Accompanied by his bodyguard, a beautiful Chinese woman who is as blasé about mass killings as she is about group sex, Rook sets out for India to rescue Boudicca from white slavery. There he is overwhelmed by street urchins, Bollywood stars, menacing thugs who melt when he croons to them, and a pharmaceutical consciousness-raiser so potent that it threatens to destroy his narcissistic cocoon. Rook’s quest gives the author a broad canvas for a funny, sardonic portrait of fame at its most inescapable: as he dispenses autographs and $100 bills to an ever-changing throng of autograph-seekers and flunkies who secretly despise him, he’s constantly confronted with billboards of himself hawking his fashion line. Glavin tells the story with a polished prose style and threads it with intriguing allusions to everything from magic squares to Van Gogh and Dostoevsky. Amid the breezy, Tarantino-esque provocations, he smuggles pathos into Rook’s search for family and meaning, though the debauches and dismemberments proceed in such a casual, jaded tone that they drain some of the novel’s emotional charge. But this diverting, imaginative read keeps the pages turning.

A smart, entertaining send-up of celebrity under siege.

Pub Date: Jan. 1, 2010

ISBN: 978-0982546628

Page Count: 498

Publisher: Kevin Glavin

Review Posted Online: Jan. 17, 2011

Kirkus Reviews Issue: March 1, 2011

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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