THE QUESTION IN THE DANCER'S KISS

A mentally unstable former artist sees colors invisible on the normal spectrum and is plagued by ghosts in Hincker’s novel, the second in a series.

Once considered the most talented young artist in Skysill Beach—an art colony / tourist trap on the Southern California coast populated by artists who work with ultraviolet light—Gale is now an alcoholic who can barely hold down his job authenticating real paintings from forgeries because of his bad attitude, almost constant state of inebriation, and his frequent seizures, which he calls “storms.” When Gale is approached by a wealthy art collector and tasked with traveling to Los Angeles to have a potentially invaluable canvas authenticated—a painting that was allegedly done in 1492 by an Italian artist who painted with “higher colors”—Gale leaves the confines of Skysill Beach for the first time in his life and quickly realizes that the ghost (of a woman who died by suicide) who has been haunting him, his sexually charged relationship with a psychic, and his mysterious past are all entangled in a grand-scale conspiracy that includes the end of time itself. An intriguing premise, deeply developed characters, masterful worldbuilding, an impressively intricate storyline, and some bombshell plot twists at the novel’s end make this a virtually unputdownable read. Gale’s self-deprecating, razor-sharp wit (“…my strengths are introspection and getting drunk…”) gives the story an added layer of literary appeal. At the height of an intense scene in which antagonistic characters meet, Hincker throws in this great line: “For a second no one spoke because it would’ve wasted the stare down.” Though the various narrative elements, when considered separately, aren’t exactly groundbreaking, cumulatively the storyline has a wonderfully fresh and innovative feel.

A blueprint for the next evolutionary step in genre-hybridized fiction.