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A SUPREME COURT UNLIKE ANY OTHER

THE DEEPENING DIVIDE BETWEEN THE JUSTICES AND THE PEOPLE

A cleareyed, depressingly convincing view of a Supreme Court that has abandoned the Republic for other masters.

Analysis of a U.S. Supreme Court far removed from other instruments and tenets of democratic governance.

Political scientist McMahon opens with the most consequential single Supreme Court decision in our time: Dobbs, which overturned Roe v. Wade, undoing “a constitutional right that had been in the law books for nearly fifty years.” The decision scarcely elicited comment from the ruling majority and barely any dissent. The decision, notes the author, was another sign of a growing “democracy gap” between the Court and other democratic institutions that lend it legitimacy. The will of the people was once an intangible institution that held some weight in juridical decision-making; now the Court comprises a majority of “numerical minority justices,” appointed by presidents and confirmed by legislators who represent a minority of the American population. Moreover, writes McMahon, the Court, the product of heavy vetting by the archconservative Federalist Society, is representative of “a small sliver—more like a tiny speck—of [an] America that is closed off to the vast majority.” Given all this, it is small wonder that the Court’s decisions are so increasingly narrow in whom they reward and so onerous to so many ordinary people. Arguing from the general premise that the Court has little or no democratic legitimacy, McMahon suggests amendments to the Constitution that would reduce lifetime appointments to term appointments, and he floats the idea that court packing might have its uses, such as affording “presidents additional opportunities to choose from outside the judicial monastery.” Both measures, McMahon urges, would help depoliticize a Court that promises to be in the sway of the hard right for a generation to come.

A cleareyed, depressingly convincing view of a Supreme Court that has abandoned the Republic for other masters.

Pub Date: April 12, 2024

ISBN: 9780226831060

Page Count: 400

Publisher: Univ. of Chicago

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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WHAT THIS COMEDIAN SAID WILL SHOCK YOU

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

The comedian argues that the arts of moderation and common sense must be reinvigorated.

Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

Pub Date: May 21, 2024

ISBN: 9781668051351

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: March 5, 2024

Kirkus Reviews Issue: April 1, 2024

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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