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CONSTELLATION OF GENIUS

1922: MODERNISM YEAR ONE

Astounding events and personalities, all contending for notice on the bright stage of 1922.

Annus mirabilis seems a most feeble phrase to describe this year of Joyce and Eliot, Chaplin and Keaton, Hemingway and Lawrence, Stravinsky and Hindemith and so many more.

Jackson (The Book of Hours, 2007, etc.) takes us day by day through 1922, noting the two towering bookends: the publications of Ulysses (February 2, a palindromic day—2/2/22) and The Waste Land (in book form, December 15). Along the way, he continually updates us on these two authors, describing the very mixed critical reception of Joyce’s novel and the efforts of Eliot to shape his poem. Jackson also makes clear the significant presence of Ezra Pound, but he follows a host of other stories closely, as well—the early career of Hemingway, the declining health and death of Proust, the emerging talents of Robert Graves, Dorothy Parker, F. Scott Fitzgerald, Vladimir Nabokov, Dashiell Hammett, Virginia Woolf and many others. The author also inserts some quirky cultural landmarks—e.g., the patenting of Eskimo Pie, the emergence of the word “flapper,” the opening of the Hollywood Bowl, the creation of Qantas Airways—and follows numerous political events: the declining health of Lenin, the rise of Hitler, the power of Mussolini, the end of the Ottoman Empire, the endless troubles in Ireland. Events of great cultural consequence are here: the discovery of the entrance to the tomb of King Tut, the premiere of Nanook of the North (the first feature-length documentary film), the dedication of the Lincoln Memorial. Jackson’s focus is on the Western world, and his tone is both convivial and scholarly (detailed footnotes adorn most pages). In a long section called “Aftermath,” the author tells us what happened to his principals.

Astounding events and personalities, all contending for notice on the bright stage of 1922.

Pub Date: Sept. 17, 2013

ISBN: 978-0-374-12898-2

Page Count: 448

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 12, 2013

Kirkus Reviews Issue: July 1, 2013

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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