HUNGRY GHOSTS

A vibrant portrait of Trinidad in the 1940s traces various members of a multiracial community grappling with poverty, emotional connection, and “hereditary pain.”

Starting with the disappearance of secretive landowner Dalton Changoor, the blood-brother swearing of four local lads, and a drowned dog, Hosein—a celebrated author from Trinidad and Tobago—plunges readers into the turbulent stream of Bell Village life on a not-always-paradisiacal-seeming Caribbean island. His cast of characters is wide, forefronted by Hansraj “Hans” Saroop, one of Changoor’s laborers, and his family—wife Shweta, son Krishna. Their home, on an old sugar cane estate, is the barrack, a rat-infested, leaking, multifamily dwelling with a shared latrine, in contrast with the large Changoor home, a manor now occupied solely by the landowner’s wife, Marlee, left in the dark about her husband’s whereabouts or return plans. Faced with ransom notes and a second dog’s death, Marlee pays Hans to be her night watchman, arousing suspicions in both Shweta and Krishna. Meanwhile, secondary characters—other barrack dwellers, bullying teenagers, unreliable policemen, and more—impact events and shade in the “anecdotal tapestry.” Destructive histories, not just the colonial past, but also the American occupation during World War II, impinge on the present, as do racism and complex, often violent connections. There are gods—Hans and his family are Hindu; his colleague Robinson is Christian; Rookmin, the wise woman of the barrack, adheres to the old beliefs—and devils who beat their wives and worse. Sex, betrayal, feuds, nightmare pregnancies, and more dead dogs swirl through the narrative, underpinned by philosophies of survival among all classes. Hosein evokes all this in rich, visceral language dotted with obscure terms: flabellate, noctilucae, rufescent. His story, often brutal, ultimately tragic, is nevertheless lit by a wide embrace reaching beyond place and people to the bedrock.

Immersive, persuasive: an elemental “portal to the Caribbean” delivered in a distinctive voice.