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THE AWESOME, IMPOSSIBLE, UNSTOPPABLE GADGET

An action-packed story for young inventors with troubling gender treatment.

Letters written home from a futuristic camp record big doings.

Bold animation-style illustrations bring Camp C.R.E.A.T.E. and its Gadgets Galore Competition to life. One camper nicknamed Professor von Junk “gets an idea for a gadget so clever / that everyone wants to help put it together.” Everyone, that is, except the letter writer, who thinks “helping is nice, but I want to come up / with my own cool device.” Once the competition begins, the protagonist can’t even get into the crowded lab. Discouraged but resilient, the kid creates a separate lab and develops an invention that, sadly, seems only to work in reverse. But Professor von Junk’s invention has a major flaw, too, creating chaos. Luckily, the letter writer’s invention saves the day. On the final page, the victor is honored with the name Professor O’Toole. Readers might notice O’Toole’s stylized pigtails, but only by reading the jacket flap will readers confirm the narrator is a female named Trixie (O’Toole). Is this a subtle book about girl power? In the future, could scientific ability be viewed without regard to gender? Perhaps, but this story has only one other implied female camper (a ponytailed kid named Lovelace) plus stereotypical references to Trixie’s “cute little cabin” and glitter-decorated invention. Bafflingly, the rhyming text is not consistently set as such. All the campers are green humanoid children.

An action-packed story for young inventors with troubling gender treatment. (Picture book. 5-8)

Pub Date: Sept. 10, 2019

ISBN: 978-1-250-19511-1

Page Count: 40

Publisher: Imprint

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: July 15, 2019

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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