An uneasy, riveting glimpse at life in the shadows, anchored by a compelling main character.
A young woman struggling with mental illness joins a colony of subterranean outcasts beneath Las Vegas.
Voices, hallucinations, and paranoia haunt Suzie Franks, a first-year college student in Portland, Oregon, who was diagnosed with schizophrenia as a child. She struggles with bouts of delusion and causes outbursts on campus. When confrontations with other students escalate, she’s given an ultimatum: Take medication or risk expulsion. Suzie, afraid of the drug’s side effects, which include weight gain, refuses to take it and slowly alienates her friends and supporters before disappearing entirely. She winds up on a bus to Las Vegas after meandering around the country—turning away from her supportive boyfriend and mother in the process—and she joins a clan of people who live in the flood channels beneath the city. The tension builds in the novel’s second half, with the terrifying “Wonderman,” who leverages power, drugs, and influence to control the other tunnel dwellers, serving as an ongoing danger. Another looming threat is a bad rainstorm, which could wash everyone away and which forces Suzie to either face her past or risk drowning. Despite all her flaws, Suzie is so likable that her ongoing struggles are harrowing to watch. Landt gives readers a clear sense of what life is like for Suzie, whose oppressive, imagined voices are clearly rendered. The structure of the novel doesn’t entirely work, however. The most involving section—the lead’s descent into mental illness and underground living—could have come earlier in the novel. Much of Suzie’s prior life, before running away to Las Vegas, is less interesting and gets undue attention. Also, pivotal relationships are left unexplored until the novel’s denouement. Still, Suzie’s is a unique, absorbing tale, full of drama and memorable scenes.
An uneasy, riveting glimpse at life in the shadows, anchored by a compelling main character.Pub Date: June 30, 2024
ISBN: 9798223653110
Page Count: -
Publisher: Ryland Publishing
Review Posted Online: Jan. 6, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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