You don’t have to be a paranoiac to have enemies, and you don’t need to be an outlaw to want to keep your personal...
A highly useful handbook for how not to be seen—online, anyway.
Think your data and identity are safe because you’ve got an eight-character password that isn’t “God” or “1234”? Guess again, says cybersecurity expert Mitnick (Ghost in the Wires: My Adventures as the World's Most Wanted Hacker, 2011, etc.). In a world where your smart TV can spy on you and your cellphone can reveal your location to any party with the ability to download tracking software, the odds are that your data is…well, compromised is the least of it. Furthermore, the American government has a rubber stamp for getting at your data, even in the days after Edward Snowden—whom the author mentions at several points—pointed out how much data the government already has. One step in the right direction is to use encryption software such as PGP (“pretty good privacy”) to keep your email secure. However, warns Mitnick after a discussion refreshingly short on technical arcana if still a little daunting, “to become truly invisible in the digital world you will need to do more than encrypt your messages.” Among the other techniques he suggests are using a passphrase instead of a password, made up of information only you can know, behind a virtual private network, encrypted phone calls, and two-factor authorization, all geeky things that Mitnick describes in admirably clear detail. Other tricks: use a reloadable gift card behind an email address used only for that purpose for online shopping, if you must shop online at all. Along the way, Mitnick describes how David Petraeus was caught in electronic flagrante, how Silk Road got taken down, and how he himself got nabbed.
You don’t have to be a paranoiac to have enemies, and you don’t need to be an outlaw to want to keep your personal information personal. Though with more than a whiff of conspiracy theory to it, Mitnick’s book is a much-needed operating manual for the cyberage.Pub Date: Feb. 14, 2017
ISBN: 978-0-316-38050-8
Page Count: 320
Publisher: Little, Brown
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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