A disturbing page-turner and a powerful look at American racism.
Vietnamese Americans are sent to concentration camps in this all-too-plausible novel.
The second novel from journalist Nguyen—following New Waves (2020)—starts with an account of Bà Nội, a woman who guides her family out of Vietnam after the fall of Saigon, winding up in the U.S., where her descendants now live. Four of those are the focus of this novel: Jen and Duncan and their older half-siblings, Ursula and Alvin, all of whom share the same absent father. They’re typical young Americans: Jen is an NYU student and Duncan is a teenage football player, while Ursula is a journalist for a BuzzFeed-like news and entertainment site and Alvin is a new Google hire. Their lives are thrown into disarray when a series of airport bombings rocks America; when the people arrested turn out to have Vietnamese surnames, the siblings realize their lives might get much more complicated. The government reacts to the bombings by imprisoning Vietnamese Americans in concentration camps (or “assembly centers,” as the government euphemizes them); Jen and Duncan are taken to one, but Ursula and Alvin get an exemption, possibly because their mother is white. Jen joins an underground resistance movement in the camp, feeding information to Ursula, who gains notice in the journalism world for her reports. This also puts Ursula at odds with some of her colleagues, one of whom writes a breezy “article” titled “These People Are Review-Bombing Detention Camps on Google Maps—And It’s Giving Us Life.” Nguyen’s hand is a bit heavy here, but it’s hard to argue with his pessimistic, and completely justified, view of the American government as a racist oligarchy deeply influenced by nefarious corporations. His narrative pacing is perfect, his dialogue and character development a bit less so; still, this is a compelling read.
A disturbing page-turner and a powerful look at American racism.Pub Date: April 8, 2025
ISBN: 9780593731680
Page Count: 352
Publisher: One World/Random House
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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