The plot and social commentary feel a little bloated, but the suspense is sustained to the end.
A South Carolina shrimp boat capsizes, imperiling not only the crew, but the journalist accompanying them.
The first novel from Sites, a journalist acclaimed for his nonfiction accounts of what it's like to report on war and crisis, features a protagonist who seems very much like him—an intrepid war correspondent with psychic battle scars from Iraq and Afghanistan who is committed to telling stories that encompass all the collateral damage of warfare. This multimedia journalist, Lukas Landon, has also suffered damage—his war experience pretty much ended his marriage and sent his career into a downward spiral—and he has been bottoming out at a small-market paper. He launches a “series on South Carolina’s beleaguered commercial shrimping industry,” which offers him a microcosm with which to address all sorts of issues—climate change, racism, competition from Asian fishing operations, and increasing regulations, often violated. The ship on which he is embedded is named Philomena, “one of the patron saints of lost causes”; the captain, Clarita Esteban, is a Black U.S. Army veteran with a war background similar to Lukas’ and a motley crew. This December trip is the last of a disappointing virgin season for the captain and crew, and they need to shore up their losses. Instead, a bad storm sinks the boat on the novel’s very first pages, breaking Lukas’ ribs and knocking some teeth out of his mouth, trapping him in the latrine, where an air bubble allows him a few days’ leeway. For the rest of the novel, he has no idea whether the others are dead or alive, as he ruminates on what has brought him to this peril (and existential crisis) and how he might survive to tell the crew’s stories that have given him reason to live. Framed by passages from T.S. Eliot, Conrad, and Shakespeare, and with Thoreau as the protagonist’s lucky talisman, the novel dresses an action thriller’s survival story in literary filigree.
The plot and social commentary feel a little bloated, but the suspense is sustained to the end.Pub Date: July 11, 2023
ISBN: 9780063278288
Page Count: 272
Publisher: HarperCollins
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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