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NO ONE PRAYED OVER THEIR GRAVES

A small epic that blends magic realism with grim realities, always memorably.

An elegantly written multigenerational novel set in 19th- and early-20th-century Syria.

Khalifa, the most prominent Syrian writer at work today (albeit in exile), opens with a scarifying moment from history: a 1907 flood that swept away a small town along the Euphrates River. There are few survivors. Two are friends, the Christian Hanna Gregoros and the Muslim Zakariya Bayazidi, both of whom were away at the time; of those at home, only Bayazidi’s wife, Shaha Sheikh Musa, and Mariana Nassar lived through the flood. The destruction is total, and both friends lose their sons. For his part, “Hanna felt like the flood hadn’t just drowned his wife and son; it had drowned all his sordid and uproarious past, his entire life.” Sordid it was, and Bayazidi, less inclined to repentance, was only too glad to take part in the brothel visits and drunken nights that, even before the flood, Hanna was tiring of, although he had committed to building a citadel of sin with, as Bayazidi says, “a stage especially for suicides.” With a star-crossed artist friend named William Eisa, their Xanadu on the Euphrates grows until the disaster changes everything, whereupon Mariana takes a more central role in the story. It’s not the first catastrophe to have struck the village, as Khalifa writes, taking the friends to their childhood a quarter-century earlier and a massacre of Christians by the Ottoman government; nor will it be the last, as plague and famine strike and religious fundamentalism hardens, foreshadowing the horrors that have beset Syria in our own time. The Syria Khalifa evokes is one where Muslims, Christians, and Jews, Greeks, Turks, and Arabs overlook their differences to forge friendships and family ties; and although his storyline sometimes wanders between seemingly disconnected episodes, the extraordinary closing pages, poetic and prophetic, speak to the possibility of building a “kingdom where life is fresh and tender and the fish never die.”

A small epic that blends magic realism with grim realities, always memorably.

Pub Date: July 18, 2023

ISBN: 9780374601928

Page Count: 416

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 24, 2023

Kirkus Reviews Issue: May 15, 2023

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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