Ambitious but a failure both as a whole and in its parts.
Teens square off against sinister immortals in an overstuffed muddle presented, Hugo Cabret–style, through an alternating mix of prose and wordless visuals.
White’s prose, created in collaboration with Di Bartolo, puts generic elements and character types together for a slow-moving tale featuring a set of bored undying. They have gathered in a small Maine town in 1900 to move the caged demon that keeps them alive to a new hidden location, in the process menacing a clutch of teenage residents. The creators offer no historical background or specific agenda for the bad guys, aside from just continuing to live. They are pursued across the decades by Arthur, dedicated to their destruction. Di Bartolo’s wordless graphic panels chronicle that quest, which takes Arthur over continents and through the 20th century into the 21st. Readers are likely to find themselves more confused than enthralled. The graphic panels are interspersed in short, episodic sections from the very beginning so that readers will have no idea how they are connected to the text until links are supplied many pages later. Moreover, the art is drawn and colored in a loose, blurry way that makes recurring figures hard to recognize (Arthur has a facial scar, but that’s no help since he doesn’t acquire it until late in the prose story), and many discrete incidents are often so compressed that the graphic portion frequently feels more like a sketchy storyboard than a story.
Ambitious but a failure both as a whole and in its parts. (Graphic/fantasy hybrid. 12-14)Pub Date: April 29, 2014
ISBN: 978-0-545-56144-0
Page Count: 384
Publisher: Scholastic
Review Posted Online: Feb. 18, 2014
Kirkus Reviews Issue: March 1, 2014
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes
A gripping thriller in dystopic future Los Angeles.
Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)Pub Date: Nov. 29, 2011
ISBN: 978-0-399-25675-2
Page Count: 336
Publisher: Putnam
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK TO SCREEN
In an unnamed country (a thinly veiled Philippines), three teenage boys pick trash for a meager living. A bag of cash in the trash might be—well, not their ticket out of poverty but at least a minor windfall. With 1,100 pesos, maybe they can eat chicken occasionally, instead of just rice. Gardo and Raphael are determined not to give any of it to the police who've been sniffing around, so they enlist their friend Rat. In alternating and tightly paced points of view, supplemented by occasional other voices, the boys relate the intrigue in which they're quickly enmeshed. A murdered houseboy, an orphaned girl, a treasure map, a secret code, corrupt politicians and 10,000,000 missing dollars: It all adds up to a cracker of a thriller. Sadly, the setting relies on Third World poverty tourism for its flavor, as if this otherwise enjoyable caper were being told by Olivia, the story's British charity worker who muses with vacuous sentimentality on the children that "break your heart" and "change your life." Nevertheless, a zippy and classic briefcase-full-of-money thrill ride. (Thriller. 12-14)
Pub Date: Oct. 12, 2010
ISBN: 978-0-385-75214-5
Page Count: 240
Publisher: David Fickling/Random
Review Posted Online: Aug. 31, 2010
Kirkus Reviews Issue: Sept. 15, 2010
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