COME AND GET IT

A very thin wall in a college dorm causes complications for eavesdroppers on both sides.

Reid follows her debut, Such a Fun Age (2020), with another sharp, edgy social novel, this time set at the University of Arkansas. Primary among the large cast are Agatha, a 38-year-old gay white visiting professor; Millie, a Black 24-year-old RA; and the five undergrads who live in the suite next door to her. The students include a threesome of white friends—Agatha categorizes them as “Jenna: tall. Casey: southern. Tyler: mean” when she interviews them for a book she’s working on—and two loners: Peyton (who is Black) and the white Kennedy, who’s been through a terrible experience just before arriving at college. Kennedy can hear everything the RAs say when they meet up in Millie’s room, and she has so little going on in her own life that she listens in quite a bit. Meanwhile, everything that’s said in the suites is heard loud and clear in Millie’s room. So when Agatha becomes fascinated with the girls after that initial interview, particularly with the way they talk and their relationships to money, she starts paying Millie (!) to let her come in and eavesdrop on them once a week. As an author, Reid has the very same obsessions she gives her character Agatha, and the guilty pleasure of the book is the way she nails the characters’ speech styles, Southern accents, and behavior and her unerring choice of products and other accoutrements to surround them with. “Tyler wasn’t actively cruel to Kennedy, but she definitely wasn’t all that nice. The small ‘hey’ she gave when Kennedy opened the door stung with the truce of roommate civility. Perhaps it felt more hostile in comparison to the way she greeted Peyton. She’d go ‘Oh hello, roomie,’ or ‘Pey-Pey’s home.’ And then Peyton would say, ‘Okaayyy. Hiii.’ ” Then Agatha decides to start selling these “interviews” to Teen Vogue, and Millie finds she can’t stop thinking about Agatha, and mean pranks beget even meaner ones—Ohmahlord, as Casey would say.

Reid is a genius of mimicry and social observation.