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THE PALACE OF ILLUSIONS

STORIES

The worldview of this book is so bleak it might need a warning label.

Poet Addonizio brings her hip, dark sensibility to a second collection of short fiction.

In the first story, a second-grade girl kills her goldfish and pet bird in reaction to being sexually exploited by her obese grandfather. In the second, two sleazy young women get drunk and rip off the guy in whose hotel room they've spent the night. In the third, a girl takes time during a meditation class to reflect on her dead sister. Abusive relationships, breakups and terminal illness fill out the other 10 stories, but in the most appealing of them, Addonizio (Ordinary Genius: A Guide for the Poet Within, 2009, etc.) doses her basic mix of hopelessness and alienation with cleverness and whimsy. A story about a girl who's half vampire has several laughs, the title story has fun with its circus setting, and two of the others, "The Hag's Journey" and "Ever After," reinvent fairy-tale tropes in ways that would be delightful if they didn't end so badly. In the latter, the Seven Dwarfs are a ragtag bunch of fellows living in a fifth-floor walk-up: a junkie named Dopey, a teen runaway named Sneezy, a recovering alcoholic named Doc, etc., most employed as faux munchkins at a restaurant called Oz. They're awaiting the fulfillment of a prophecy they read about in a book found in a Dumpster, one involving a beautiful girl and an apple. Unsurprisingly, things go south. "[M]y name isn't Grumpy," said Grumpy. "It's Carlos....I'm sick of all of you with your fake names and voodoo loser fantasies about some chick who ain't coming. She ain't coming, man. Get it through your fat heads."

The worldview of this book is so bleak it might need a warning label.

Pub Date: Sept. 9, 2014

ISBN: 978-1-59376-542-2

Page Count: 225

Publisher: Soft Skull Press

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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SIGHTSEEING

STORIES

A newcomer to watch: fresh, funny, and tough.

Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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