A simple story enhanced by its funny, gently ironic illustrations.
A little girl diligently gets ready for her day but leaves lots of messes in her wake.
The unnamed girl has light brown skin and dark brown curls similar to her dad’s, and her mom is white. The characters in the digital illustrations have big, exaggerated eyes. The child narrates the text matter-of-factly in simple rhyming sentences: “Time to go potty. I can do this! / Mommy is there to make sure I don’t miss.” Each double-page spread presents a slightly different, humorous visual interpretation of the situation, and it’s in this juxtaposition that the book shines. The cat’s in the hamper, underwear and socks are on the floor, and the pink toilet paper is trailing all over. The two parents seem a little overwhelmed. As they both try to get the girl into her clothes, one arm escapes, and the dad is really sweating from exertion. She insists on tying her laces and buttoning her coat, and the illustrations show the exuberant but incomplete results. As the girl grabs her backpack, her apple rolls out, and Mommy has to grab it. At school, she hangs her coat up, but somehow it lands on the floor (her scarf is also awry), and observant viewers will notice that her shoelace is still untied. In her diverse classroom, she proudly announces: “But this time Daddy, I won’t cry”—and now readers can believe her: there’s nary a tear in sight.
A simple story enhanced by its funny, gently ironic illustrations. (Picture book. 3-5)Pub Date: May 1, 2017
ISBN: 978-1-60537-342-3
Page Count: 32
Publisher: Clavis
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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