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JIMMY BLUEFEATHER

Old Keb understands it “used to be hard to live and easy to die. Not anymore.”

Part quest, part rebirth, Heacox’s debut novel spins a story of Alaska’s Tlingit people and the land, an old man dying, and a young man learning to live.

In the town of Jinkaat, off Icy Strait near Crystal Bay, Old Keb Wisting, 95, all "big ears, small bladder, bad teeth" but diamond-clear in soul, wants to bring meaning to the life of his grandson James, “prisoner of angr” a deeply felt grief. Basketball wizard James ruined his knee in a logging accident, and Old Keb decides that the two of them will carve a cedar canoe. Canoe completed—christened Óoxjaa Yadéi, or Against the Wind—Keb, with James and two friends, begins a spirit journey to Crystal Bay, heartland of the Tlingit people. Heacox’s characters resonate, each immersed in the Pacific Northwest’s great watery woods. Old Keb, part Norwegian, part Tlingit, is the last of the Tlingit cedar carvers. There’s also James’ mother, Gracie, who “could bend [Keb] with a smile.” Keb’s “kittiwake daughter,” Ruby, is a professor, all pride and passion. Little Mac, James’ Chinese-Tlingit-Scots girlfriend, has a tiny body, towering intellect, and tremendous empathy. Large Marge, “a wide-hipped buxomed fisherwoman,” captains the Silverbow with two deaf sons. Keb’s dead uncle Austin speaks in dreams as Raven, the trickster. Add politicians, bureaucrats, media types, all circling, making demands, as Keb and the others set out for Crystal Bay, now a federal reserve and a place mired in conflict with the development interests of PacAlaska, a Native American corporation. It’s Heacox’s language, however, and his deep appreciation of the land, the sea, and the Tlingit, “a liquid people,” that illuminate the story, one with an ending logical and unsentimental yet emotionally satisfying.

Old Keb understands it “used to be hard to live and easy to die. Not anymore.”

Pub Date: Sept. 1, 2015

ISBN: 978-1-941821-68-8

Page Count: 256

Publisher: Alaska Northwest Books

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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