Spellbinding and untraditional, this fantasy with a brave royal could teach Disney a few things about princess adventures.
A debut YA fantasy stars a princess who must venture forth into the world before she’s allowed to rule.
Princess Adriana of Ayrden has just turned 16. Traditionally, royals of the kingdom leave on a Journey during their 16th year, and if they return, they may someday rule. Adriana’s Teachers—in skills like fencing and archery—say that she’s ready to leave, but she may take only a minimum of food and no weapons. The royal Gifters, however, bestow upon her the traits of courage, fidelity, and kindness. With these qualities, along with her father’s advice that “when you are worried you will not make your best decisions,” she departs Ayrden on a horse named Sultan. She rides until reaching a clearing in the nearby forest. Strangely, no animals, including birds, enliven the scene. After a nap, she wakes to the sound of woodland calamity, as trees uproot and shift, eventually presenting her with three paths to choose from: one lined with gemstones, one limned in golden light, and another marked by simple grass. For the sake of Sultan, Adriana takes the prosaic grassy trail and finds herself in the land of Chehalem, where odd new friends and foes await. In her novel, Stump crafts a voluptuous, nuanced fantasy that fans of classics like Peter Beagle’s The Last Unicorn should enjoy. As Adriana explores each of the three routes, readers are treated to gorgeous sights and inventive sounds, like one scene in which “The walls of the ravine were green stone, and bright violet and amethyst flowers spilled down the steep embankments until they touched the water.” The prose nearly lulls a reader into believing Adriana’s Journey is all whimsy and self-discovery, yet dangers crop up (including lost uncles, slave traders, and dragons) that add grim shading to this multifaceted narrative. Certain magical elements, like how the forest changes shape, remain mysterious throughout, which allows Stump’s capable heroine and her accomplishments to carry more narrative weight.
Spellbinding and untraditional, this fantasy with a brave royal could teach Disney a few things about princess adventures.Pub Date: Aug. 14, 2016
ISBN: 978-0-9975914-0-8
Page Count: 330
Publisher: Foxcroft Publishing
Review Posted Online: Aug. 30, 2016
Kirkus Reviews Issue: Oct. 1, 2016
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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