Riotously inventive horror fantasy, the second novel by the author of the wildly original The Night Mayor (1990). Newman trumps up some superbly clever devices here, and at last creates a heroine we can care about, or almost care about, before she fades into the Dreamscape. The American sisters Anne and Judi Neilson and their half-brother Cameron Neilson III (a famous minimalist composer), children of Nobel Prize playwright Cameron Neilson, live in London, where Anne writes and Judi, a junkie S&M prostitute, hires herself out to be beaten. In the first chapter, Judi is eaten alive while turning a trick, or has the blood and most of her flesh sucked out of her, as well as her mind and memory, by Mr. Skinner, a vampire known as the King of the Cats, or leader of the Kind, who was once a master of the now-vanished Immortal Empire. Very few vampires still walk about, and Mr. Skinner himself has only one rival, Ariadne, a sexy vamp much older, smarter, and more powerful than he. Anne tries to trace Judi's path through the whoreworld to find out just how her sister's corpse had aged into a very old woman's. Judi's prostitute friend Nina leads Anne to the mansion of Amelia Dorf (``It was the kind of quietly well-off residential street where mass murderers live...''—a kind of Karloffian understatement) where an S&M party is in full swing, ruled by the Game Master, Mr. Skinner. We'll say no more, only that Mr. Skinner's vampirism is a boldly invented passionate state that can barely be contained by human form; that the Old Dark House becomes a dream house in which rooms lead into mindrooms into dreamrooms; that at one point Mr. Skinner falls into a feeding frenzy and eats up the whole party, then licks his lizard-long tongue at Anne and begins chasing her through the walls.... When you meet Mr. Skinner, remember that he bears the memories of all his victims, and that when you join him you join all of them as well. Comforting.
Pub Date: Nov. 14, 1991
ISBN: 0-88184-781-X
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1991
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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