Vampire-battle aces let slip the bats of war in this superior sequel to Anno-Dracula (1993), itself a benchmark for vampire fiction. This time out, Newman moves ahead 30 years to focus on the European air war and stalemate in 1918. Driven from England, Graf von Dracula rises to commander-in-chief of the armies of Germany and Austria-Hungary, fathers a species of German vampire aristocrats, and becomes ringmaster of Baron Manfred von Richthofen's Flying Circus, a group of night-flying vampire aces. Strange experiments involving the Red Baron take place at Chateau du Malinbois, and the British vampire squadron, Cundall's Condors, must discover just what the Germans are up to. Meanwhile, it's a weird bunch of doctors who experiment on the superpowerful batmen—H.G. Wells's vivisectionist Dr. Moreau, filmdom's nutty Dr. Caligari, and Professor Ten Brincken—and who convert the shape-shifters into living airplanes with 30-foot batwingspreads. Writing the life of the Baron is Edgar Allan Poe, who was himself turned into a vampire by his child bride, Virginia, and once suffered premature burial when found "dead'' in Baltimore. The Diogenes Club, England's Star Chamber led by Mycroft Holmes, sends Lt. Edwin Winthrop to gather intelligence with Cundall's Condors, and Winthrop finds himself falling for 50-year-old undead journalist Kate Reed. Among the attractions here are gripping battlefield scenes and dogfights; vast physiological detail about vampire breeds and bloodlines (vampires drink moonlight for strength); savagely intimate, even alluring descriptions of bloodlust; the ripping gallows humor of the British vampire aces; and memory-jogging walk-ons—including Jiggs from Faulkner's Pylon, Allard from The Shadow, Jules and Jim, Jake Barnes, Clifford Chatterley, Dr. Arrowsmith, Jed Leland from Citizen Kane, Bruno Satchel from The Blue Max, Mata Hari, Lola-Lola from The Blue Angel, and Cigarette from Under Two Flags. Superbly researched mud-and-blood: Newman's rich novel rises above genre, though delighted bat-readers will still cry, "Fangs for the memory!''
Pub Date: Nov. 1, 1995
ISBN: 978-0671854515
Page Count: 358
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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