High-minded, well-intentioned, and in love with what Earth’s future could be but somewhat lacking in narrative drive.
This detail-heavy near-future novel offers a window onto the apocalypse looming just behind our present dystopia.
As Uttar Pradesh suffers from a crippling heatwave and blackouts, Frank May, an American aid worker in a small city, runs out of options to help the local residents stay cool and suggests that they go into the lake, which unfortunately offers very little relief. He rouses from an uneasy night submerged in the water to discover that everyone is dead but him, a devastating outcome that leaves him with PTSD and a desire to do something, anything, to reverse climate change. But as Frank is the quintessence of the ineffectual White American savior—not equipped to save anything or anyone, even himself—he doesn’t have the first idea about how to pursue his goal. His bumbling and his anger drive him to a failed kidnap attempt on Mary Murphy, head of the titular Ministry for the Future, a U.N. agency formed in 2025 to further the aims of the Paris Agreement. Frank drifts through years as a fugitive and then as a convicted felon, Mary works tirelessly through diplomatic and bureaucratic channels to save the planet before it’s too late, and the Children of Kali, a group of eco-terrorists also inspired by the Indian heatwave tragedy, pursue more violent—and shockingly effective—methods of combating environmental destruction. These strands initially form the basis of a gripping story, but they’re diffused by Robinson’s determination to narrate a history of an alternate future timeline, one which naturally excludes our present pandemic and the latest crackdowns in Hong Kong but also apparently ignores the U.S. dropping out of the Paris Agreement and the implications of Brexit. That tale, or more often lecture, is conveyed through dry and snarky infodump essays and brief, punchy accounts from people, inanimate objects, and metaphorical forces. Perhaps the author is angry that though he's spent years writing novels exploring the dire results of climate change, the message doesn’t seem to have gotten through; it’s clear that he is unhappy at how politics and greed have obstructed opportunities for positive environmental action. At the same time, he seems hopeful that the world can still forge a path forward, if only we have the resolve.
High-minded, well-intentioned, and in love with what Earth’s future could be but somewhat lacking in narrative drive.Pub Date: Oct. 6, 2020
ISBN: 978-0-316-30013-1
Page Count: 576
Publisher: Orbit
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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