by Kimberly Brubaker Bradley ‧ RELEASE DATE: Sept. 15, 2011
A big, serious work of historical investigation and imagination; the tale has never before been told this well. (Historical...
It was a secret everybody knew at Monticello: Thomas Jefferson was the father of Beverly, Harriet, Madison and Eston Hemings, and their mother was Sally Hemings, a slave owned by Jefferson.
Most people now have a vague idea of this story and the issues it raises about Jefferson, the author of the words that founded a nation: “All men are created equal.” Bradley offers the first fully realized novel for young readers and tells it from the points of view of Beverly, Madison and another enslaved boy on the plantation. The characters spring to life, and readers will be right there with Beverly when his mother scolds him for referring to Master Jefferson as “Papa.” Readers may wonder why, when three-quarters through the novel, the point of view shifts from Beverly and Madison to Peter Fossett, a slave but not one of Jefferson’s sons. But this additional perspective becomes crucial to the wrenching conclusion of this fascinating story of an American family that represents so many of the contradictions of our history. The afterword is as fascinating as the novel, telling what later happened to each of the characters, and a small but excellent bibliography will lead readers to books and websites for further study.
A big, serious work of historical investigation and imagination; the tale has never before been told this well. (Historical fiction. 9-14)Pub Date: Sept. 15, 2011
ISBN: 978-0-8037-3499-9
Page Count: 368
Publisher: Dial Books
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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by J. Torres ; illustrated by David Namisato ‧ RELEASE DATE: Oct. 5, 2021
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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by J. Torres ; illustrated by Aurélie Grand
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by Alan Gratz ‧ RELEASE DATE: July 25, 2017
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.
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In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.
Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.
Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)Pub Date: July 25, 2017
ISBN: 978-0-545-88083-1
Page Count: 352
Publisher: Scholastic
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
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by Alan Gratz ; illustrated by Judit Tondora
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by Alan Gratz ; illustrated by Brent Schoonover
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