Parsons has created a character so appealing in her cheerful brokenness that you won’t want to leave her side for a minute.
A young mother in a suburb between Fort Worth and Dallas wrangles a Texas-size grief.
Parsons’ debut novel—following the story collection Black Light (2019)—follows 25-year-old Kit’s remarkable and original stream of consciousness as it obsessively circles the loss of her younger sister, Julie, who died four years ago while Kit was pregnant. Back when they were growing up in Wink, Texas, where Kit’s beautiful mother still lives, the two had a band with their friend Yesenia called You Are the Universe, a name that grew out of their epic psychedelic adventures on the pink shag rug of a boy known as Big Large. As the novel opens, Kit is about to take an actual trip—a weekend in Montana with her best friend, Pete, ostensibly to help him get over being dumped by his partner, Brian. “I instantly recognized in [Pete] the things I saw in myself—here was somebody with a mighty death drive, somebody bighearted who was also kind of a fuckup, someone who was not exactly overflowing with impulse control.” Until it’s time to go, she’s wheeling her stroller between Hidden Wonder playground, Tiny Toads gymnastic center, and the home she shares with her sweet husband, Jad, and precocious Gilda, a tiny tyrant who “can appropriately use debris in a sentence.” Kit still loves sex and psychedelics, though these days her one-night stands are fantasy only, and she can’t take drugs because she’s still nursing. Nevertheless, both are frequently in her always-interesting thoughts: “I am so, so glad I’ve done acid. Nothing prepares you for childbirth more.” “It’s possible that nothing makes me want sex more than not coming during it.” Along with Melissa Broder’s Death Valley (2023), this book seems suggestive evidence of a New Psychedelia, young women writers updating Carlos Castaneda for the 21st century, filling the eternal trippy desert with love and yearning and laughter.
Parsons has created a character so appealing in her cheerful brokenness that you won’t want to leave her side for a minute.Pub Date: May 14, 2024
ISBN: 9780525521853
Page Count: 288
Publisher: Knopf
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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