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ROME'S LAST NOBLE PALACE

A dramatic and often satisfying tale with supernatural elements.

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Sullivan’s romantic ghost story tells the story of two young women in Rome, a century apart.

In 1896, American Isabelle Field’s very rich Auntie Elizabeth, also known as Princess Brancaccio, has married into Italian aristocracy and has been asked to find a suitable match for her poor relation. In 2006, Sophie Nouri, a graduate student in Persian art history, is interning at the Brancaccio Palace, which is now an art museum. The connection between the women is that both, in their own time, live in a certain room on the top floor of the palace in the servants’ quarters. Isabelle is a spirited young woman and a talented fashion designer who has more modern ideas than her aunt does; the latter has her eye on an odious fop, Count Massimo, as a marriage match for her niece. Meanwhile, Isabelle and an attractive operatic tenor, Lamberto Perelli, fall in love. Sophie meets Sayed Ahmadi, an Iranian man who’s brought on as her assistant and who’s fluent in both English and Italian. Both women experience terrible traumas, but their lives have very different outcomes. Sophie’s storyline includes what appear to be encounters with a ghost, who seems to want to warn her of impending danger. Sullivan is an experienced historical novelist, and in this novel she displays a great love of Italy, which she clearly knows well; her sense of place is meticulous throughout, as when Sophie reflects on her initial explorations: “One more church to explore, one more picturesque twisting street tempting her to follow its path, one more piazza drenched in sunshine, character, and local flavor in which to sit and drink a coffee, watching the people passing by.” Some readers may find Sullivan’s prose style to be overheated, at times; tears “well up” or “prick” with alarming frequency. But the blending of the two well-paced stories is gracefully managed, as is the idea that social change is inevitable—even in 1896, as Isabelle breaks loose from her aunt’s domination, which is no small thing in the rigid fin de siècle society.

A dramatic and often satisfying tale with supernatural elements.

Pub Date: Dec. 6, 2023

ISBN: N/A

Page Count: 388

Publisher: Self

Review Posted Online: Nov. 9, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE HURRICANE WARS

Slow and plodding.

A young woman with a magical ability to harness light discovers she is royalty.

Talasyn is a foot soldier for her homeland of Sardovia, which has been under attack for the past decade by the powerful and evil Night Empire, a conflict known as the Hurricane Wars. Talasyn is an orphan with no knowledge of her family, but she assumes they might be the source of her rare, magical Lightweaving talent. During a battle with the forces of the Night Empire, Talasyn spars with Prince Alaric, a fierce warrior who is the son and heir to the Night Emperor. Talasyn is sent on a covert mission into Nenavar, a nearby matriarchy that has remained neutral during the Hurricane Wars, to try to access a Light Sever which could hone and refine her magic. Instead, she discovers she is the heir to their royal throne; she and her mother, now presumed dead, disappeared under mysterious circumstances when she was a year old. Alaric follows her into Nenavar, and they discover his magical ability to cast darkness and shadows produces shocking results when mixed with her Lightweaving. A few weeks later, the Night Empire defeats Sardovia and ends the Hurricane Wars, and the novel transitions to a tedious, slow-moving story of court intrigue and diplomacy. A group of Sardovian soldiers and refugees seek asylum in Nenavar, but Talasyn’s grandmother agrees to protect them only if Talasyn agrees to join the royal court and marry Alaric. The politics surrounding the impending wedding is the primary plot for the rest of the novel, and it’s a slog. The glacially slow pacing only serves to highlight the confusing world building and underdeveloped characters. It’s unclear why Alaric and Talasyn are attracted to each other, and their tentative romance is just as stuck in a rut as the plot.

Slow and plodding.

Pub Date: Oct. 3, 2023

ISBN: 9780063277274

Page Count: 480

Publisher: Harper Voyager

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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