A dramatic and often satisfying tale with supernatural elements.
Sullivan’s romantic ghost story tells the story of two young women in Rome, a century apart.
In 1896, American Isabelle Field’s very rich Auntie Elizabeth, also known as Princess Brancaccio, has married into Italian aristocracy and has been asked to find a suitable match for her poor relation. In 2006, Sophie Nouri, a graduate student in Persian art history, is interning at the Brancaccio Palace, which is now an art museum. The connection between the women is that both, in their own time, live in a certain room on the top floor of the palace in the servants’ quarters. Isabelle is a spirited young woman and a talented fashion designer who has more modern ideas than her aunt does; the latter has her eye on an odious fop, Count Massimo, as a marriage match for her niece. Meanwhile, Isabelle and an attractive operatic tenor, Lamberto Perelli, fall in love. Sophie meets Sayed Ahmadi, an Iranian man who’s brought on as her assistant and who’s fluent in both English and Italian. Both women experience terrible traumas, but their lives have very different outcomes. Sophie’s storyline includes what appear to be encounters with a ghost, who seems to want to warn her of impending danger. Sullivan is an experienced historical novelist, and in this novel she displays a great love of Italy, which she clearly knows well; her sense of place is meticulous throughout, as when Sophie reflects on her initial explorations: “One more church to explore, one more picturesque twisting street tempting her to follow its path, one more piazza drenched in sunshine, character, and local flavor in which to sit and drink a coffee, watching the people passing by.” Some readers may find Sullivan’s prose style to be overheated, at times; tears “well up” or “prick” with alarming frequency. But the blending of the two well-paced stories is gracefully managed, as is the idea that social change is inevitable—even in 1896, as Isabelle breaks loose from her aunt’s domination, which is no small thing in the rigid fin de siècle society.
A dramatic and often satisfying tale with supernatural elements.Pub Date: Dec. 6, 2023
ISBN: N/A
Page Count: 388
Publisher: Self
Review Posted Online: Nov. 9, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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