by Kimi Eisele ‧ RELEASE DATE: July 9, 2019
It’s pretty to think that a global economic, political, and technological collapse could be solved by bike co-ops, backyard...
A post-apocalypse novel takes an unusually optimistic tack, braiding a love story with the efforts of survivors to create new ways to live.
Eisele’s debut is set in a near future where a global economic meltdown has led to the collapse of governments and power grids, complicated by a pandemic of deadly flu and the unchecked effects of climate change. The main characters dealing with those dire circumstances are Beatrix Banks and Carson Waller, a pair of earnest 30-somethings. Beatrix was an activist for fair labor and trade practices, Carson a high school principal. They met when she spoke to one of his classes about global warming; they spent less than two days together, but they’ve kept the spark glowing via the internet—until the web winked out. With no more schools or international trade, they’re at loose ends. Carson leaves his home in what sounds like New York City to walk cross-country to find her, following railroad tracks for 3,000 miles. Beatrix, meanwhile, stays put in her home on the West Coast, banding together with neighbors to share food, dig pit toilets, and schlep buckets of water delivered by horse-drawn carts. The novel alternates between their points of view, except for sections focused on Beatrix’s neighbor Rosie, a teenager conveniently gifted with second sight. As the lovers wonder if they’ll ever find each other, they fret separately over an evangelist named Jonathan Blue, who seems to have taken over the somewhat functional radio airwaves and is exhorting survivors to join his movement. Eisele creates some intriguing characters, but the novel makes dealing with the apocalypse seem a little too easy. Bad times can bring out the best in some people. But given the current state of our deeply divided, heavily armed nation, it takes a stretch to imagine that, in the event of total international disaster, so much of the population would cheerfully turn to manual labor and generosity.
It’s pretty to think that a global economic, political, and technological collapse could be solved by bike co-ops, backyard chickens, and a radio show about a homegrown superhero, plus a little true love, but this novel just doesn’t make it plausible.Pub Date: July 9, 2019
ISBN: 978-1-61620-793-9
Page Count: 336
Publisher: Algonquin
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Share your opinion of this book
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
Likes
420
Our Verdict
GET IT
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
Share your opinion of this book
More by Max Brooks
BOOK REVIEW
by Max Brooks
More About This Book
BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Feb. 9, 2016
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Share your opinion of this book
More by Pierce Brown
BOOK REVIEW
by Pierce Brown
BOOK REVIEW
by Pierce Brown
BOOK REVIEW
by Pierce Brown
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.