It’s pretty to think that a global economic, political, and technological collapse could be solved by bike co-ops, backyard...
A post-apocalypse novel takes an unusually optimistic tack, braiding a love story with the efforts of survivors to create new ways to live.
Eisele’s debut is set in a near future where a global economic meltdown has led to the collapse of governments and power grids, complicated by a pandemic of deadly flu and the unchecked effects of climate change. The main characters dealing with those dire circumstances are Beatrix Banks and Carson Waller, a pair of earnest 30-somethings. Beatrix was an activist for fair labor and trade practices, Carson a high school principal. They met when she spoke to one of his classes about global warming; they spent less than two days together, but they’ve kept the spark glowing via the internet—until the web winked out. With no more schools or international trade, they’re at loose ends. Carson leaves his home in what sounds like New York City to walk cross-country to find her, following railroad tracks for 3,000 miles. Beatrix, meanwhile, stays put in her home on the West Coast, banding together with neighbors to share food, dig pit toilets, and schlep buckets of water delivered by horse-drawn carts. The novel alternates between their points of view, except for sections focused on Beatrix’s neighbor Rosie, a teenager conveniently gifted with second sight. As the lovers wonder if they’ll ever find each other, they fret separately over an evangelist named Jonathan Blue, who seems to have taken over the somewhat functional radio airwaves and is exhorting survivors to join his movement. Eisele creates some intriguing characters, but the novel makes dealing with the apocalypse seem a little too easy. Bad times can bring out the best in some people. But given the current state of our deeply divided, heavily armed nation, it takes a stretch to imagine that, in the event of total international disaster, so much of the population would cheerfully turn to manual labor and generosity.
It’s pretty to think that a global economic, political, and technological collapse could be solved by bike co-ops, backyard chickens, and a radio show about a homegrown superhero, plus a little true love, but this novel just doesn’t make it plausible.Pub Date: July 9, 2019
ISBN: 978-1-61620-793-9
Page Count: 336
Publisher: Algonquin
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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