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DOCTORS AND FRIENDS

A well-written apocalyptic tale about a global pandemic that is all too realistic.

Seven medical school friends navigate the emotional and physical devastation wrought by a global pandemic.

Written before the Covid-19 pandemic, this book navigates the implications of a global pandemic on seven midcareer doctors who first became friends in med school. Kira Marchand is an infectious disease specialist who works for the Centers for Disease Control and Prevention in Atlanta; Candee Compton-Winfield is an emergency room doctor in New York City; Hannah Geier is an OB-GYN in San Diego, California; Georgia Brown is a urologist in San Diego; Vani Darshana is an internist in Berea, Kentucky; Zadie Anson is a pediatric cardiologist in Charlotte, North Carolina; and Emma Colley is a trauma surgeon in Charlotte. The friends are on vacation in Spain and Morocco when the pandemic first strikes, and the story follows them and the impact that the artiovirus, CARS-ArV, has on their group, the cities they live in, and their families. Kira, Candee, and Hannah are point-of-view main characters. The narrative arc of the story follows Kira, the infectious disease specialist, who finds herself in a situation in which she has to choose between the lives of her two children. Covid-19 does not exist in these pages, but it will be impossible for readers to divorce their own pandemic experiences from those they are reading about. Much time is spent discussing the virus and its effects, both initial and long-term. For some readers, the lengthy descriptions of the artiovirus and its medical effects might be too much, while others will find the details just right. The idealized societal and governmental response, however, will ring false to many.

A well-written apocalyptic tale about a global pandemic that is all too realistic.

Pub Date: Nov. 9, 2021

ISBN: 978-1-984802-86-6

Page Count: 384

Publisher: Berkley

Review Posted Online: Sept. 28, 2021

Kirkus Reviews Issue: Oct. 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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