by Kingsley Amis ‧ RELEASE DATE: June 1, 1998
A delightfully arch, irreverent handbook for those who dare to speak or write the King’s English—Kingsley Amis’s English, that is. The late author, who earned his reputation as one of the Angry Young Men of British literature in the 1950s, apparently reserved his greatest ire for those who misused language. To do so willfully in print was an indication of bad judgment, to do so unwittingly in conversation was mere stupidity. In an effort to curtail the abuse of the King’s own (and to launch an attack on creeping Americanisms, such as the use of —advocate— and —progress— as verbs), Amis wrote a —guide to modern usage— that isn—t. But it is a gleeful intellectual stomp through malapropisms, false unions, split infinitives, danglers, floaters, berks, and wankers. Think of it as a twisted Strunk & White for the English middle class, to which the London-born, Cambridge-educated Amis certainly belonged. But he was no avatar of class-consciousness—in fact, just the opposite. He deplored the excessive use of French and discouraged affected pronunciation. Anglicized French words, like —hors d—oeuvres,— for example, were to be pronounced with robust disregard for accuracy. Seen from an American angle, Amis’s book provides a highly entertaining glimpse into the social implications of speech in Britain—where accent so influences public image—as well as Amis’s own stylistic consciousness, which permeates this text. (Who else would devote a lengthy entry to —Pronunciation: he-she—?) But Amis’s handbook has a serious undercurrent, as well, no matter how dry the author’s wit. —I am sustained,— he wrote, —by reflecting that the defense of language is too large a matter to be left to the properly qualified.— Although useless as a guide to the English language, Amis’s book functions as a droll literary tract and a reminder that —the price of a good style, like that of other desirable things, is eternal vigilance.
Pub Date: June 1, 1998
ISBN: 0-312-18601-0
Page Count: 288
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1998
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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