by Kingsley Amis ‧ RELEASE DATE: Sept. 1, 1991
Amis's "autobiography"—or, more accurately—portraits of his acquaintances after a few opening chapters on his family, school days, and life at Oxford. Aside from the fact that "most writers lead dull lives," Amis says his holding hack saves pain: "To publish an account of my own intimate, domestic, sexual experiences would hurt a number of people who have emotional claims on me...and I have no desire to cause pain, or further pain, to them or myself." What that leaves Amis with is other people and his opinions, which he records in a daily stint of space-filling, all quite styleless for a respected comic novelist who has just had a hit on American TV with his script for The Green Man. He gets off to a great start, describing his father, who manufactures "unbreakable" glassware (if dropped on something besides a carpet, a plate or glass exploded like a hand grenade), and his paternal grandmother: "Mater was a large dreadful hairy-faced creature who lived to be nearly ninety and whom I loathed and feared...." Others he limns include Francis Bacon, Anthony Powell, Anthony Burgess, Roald Dahl, Malcolm Muggeridge, Margaret Thatcher, actor Terry-Thomas (a brilliant Bertrand in the film version of Lucky Jim, Amis's most famed novel), Lord Snowdon, Arnold Wesker, and many others. At times, as with Wesker, Amis paints a portrait with victorious, if not vicious, brevity—but his portraits of Robert Graves and several others are no reason to read this book. The writer's best moments are on Philip Larkin (rewritten from a version published before Larkin died), and his standing up for neglected writers, such as Elizabeth Taylor, and for Powell's A Dance to the Music of Time series. A special chapter on booze, quite funny, goes nowhere. Depthless, but the pace and variety will keep many awake.
Pub Date: Sept. 1, 1991
ISBN: 0-671-74909-9
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 1991
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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