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THE WHITE MARY

A vivid journey too often slowed by tedious flashbacks wherein Seb urges Marika to confront her post-traumatic stress. If...

A battle-worn journalist penetrates the jungles of Papua New Guinea in search of her idol, a famous war correspondent long presumed dead.

In her preface, Salak (The Cruelest Journey: Six Hundred Miles to Timbuktu, 2004, etc.), who recounted her own PNG adventure in the memoir Four Corners (2001), explains that she sought out Peruvian shamans to help her heal after the death of her brother. Whence her first novel’s new-agey resolution, tacked on in jarring contrast to the horrific atrocities witnessed and experienced by her reporter characters. Like Marlow in Heart of Darkness, Marika crosses an intractable wilderness, ostensibly to find the novel’s Kurtz, Robert Lewis, but her true quest is the investigation of evil. Lewis was, like Marika, a maverick war correspondent who ventured alone into the world’s most chaotic war zones. After his son was killed in Africa, Lewis left a suicide note and disappeared. Marika’s guide through the malarial swamps, infested thickets and craggy mountains of a place where indigenous life has not changed in millennia is Tobo, a tribal chieftain and witch doctor. Less than willingly, Tobo becomes the “White Mary’s” taciturn, irascible and, eventually, lovable betel-nut-chewing mentor in life, love and primitive gender politics (not so different, it appears, from civilized gender politics). Marika has almost completed her biography of Lewis when a breakup with her therapist boyfriend Seb coincides with receipt of a missionary’s letter in which Lewis claims to have been spotted in the remote mountain village of Walwasi. After an arduous trek, Tobo and Marika finally encounter not only the volatile Walwasi people, whose destinies are ruled by fire demons, but also Robert Lewis, tolerated because (in an obvious irony) the Walwasi think he’s impervious to demons.

A vivid journey too often slowed by tedious flashbacks wherein Seb urges Marika to confront her post-traumatic stress. If only Marika’s internal demons were as interesting as the external ones Tobo teaches her to surmount.

Pub Date: Aug. 5, 2008

ISBN: 978-0-8050-8847-2

Page Count: 384

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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